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With fast thick warble his delicious notes,
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!

And I know a grove

Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups, grow within the paths.
But never elsewhere in one place I knew
So many Nightingales; and far and near,
In wook and thicket, over the wide grove,
They answer and provoke each other's song,
With skirmish and capricious passagings,
And murmurs musical and swift jug jug,

And one low piping Sound more sweet than all

Stirring the air with such an harmony,

That should you close your eyes, you might almost
Forget it was not day! On moonlight bushes,

Whose dewy leaflets are but half disclosed,

You may perchance behold them on the twigs,

Their bright, bright eyes, their eyes both bright and full
Glistening, while many a glow-worm in the shade
Lights up her love-torch.

A most gentle Maid,

Who dwelleth in her hospitable home
Hard by the castle, and at latest eve

(Even like a Lady vowed and dedicate

To something more than Nature in the grove)

Glides through the pathways; she knows all their notes,
That gentle Maid! and oft a moment's space,

What time the Moon was lost behind a cloud,
Hath heard a pause of silence; till the Moon
Emerging, hath awakened earth and sky
With one sensation, and these wakeful Birds
Have all burst forth in choral minstrelsy,
As if some sudden Gale had swept at once
An hundred airy harps! And she hath watched
Many a Nightingale perched giddily

On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song

Like tipsy joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.-That strain again?
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear,
His little hand, the small forefinger up,

And bid us listen! And I deem it wise

To make him Nature's Playmate. He knows well
The evening-star; and once, when he awoke
In most distressful mood (some inward pain

Had made up that strange thing, an infant's dream),
I hurried with him to our orchard-plot,

And he beheld the Moon, and, hushed at once,
Suspends his sobs, and laughs most silently,
While his fair eyes that swam with undropped tears
Did glitter in the yellow moonbeam! Well !—
It is a father's tale: But if that Heaven
Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy! Once more farewell,
Sweet Nightingale! Once more my friends! farewell.
April, 1798.

FROST AT MIDNIGHT.

THE Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud-and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed! so calm, that it disturbs

And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings on of life,
Inaudible as dreains! the thin blue flame

Lies on my low burnt fire, and quivers not;
Only that film, which fluttered on the grate.
Still flutters there, the sole unquiet thing.
Methinks its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,

And makes a toy of Thought.

But O! how oft,

How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt

Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My playmate when we both were clothed alike!

Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the interspersed vacancies

And momentary pauses of the thought!
My babe so beautiful! it thrills my heart

With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags

Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eve-drops fall
Heard only in the trances of the blast

Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.

MISCELLANEOUS POEMS.

THE THREE GRAVES.

A FRAGMENT OF A SEXTON'S TALE.

[THE Author has published the following humble fragment, encouraged by the decisive recommendation of more than one of our most celebrated living Poets. The language was intended to be dramatic; that is suited to the narrator; and the metre corresponds to the homeliness of the diction. It is therefore presented as the fragment, not of a Poem, but of a common Ballad-tale. Whether this is sufficient to justify the adoption of such a style, in any metrical composition not professedly ludicrous, the Author is himself in some doubt. At all events, it is not presented as poetry, and it is in no way connected with the author's judgment concerning poetic diction. Its merits, if any, are exclusively psychological. The story which must be supposed to have been narrated in the first and second parts is as follows:

Edward, a young farmer, meets at the house of Ellen, her bosomfriend Mary, and commences an acquaintance, which ends in a mutual attachment. With her consent, and by the advice of their common friend Ellen, he announces his hopes and intentions to Mary's mother, a widow woman bordering on her fortieth year, and from constant health, the possession of a competent property, and from having had no other children but Mary and another daughter (the father died in their infancy), retaining for the greater part, her personal attractions and comeliness of appearance; but a woman of low education and violent temper. The answer which she at once returned to Edward's application was remarkable-"Well, Edward! you are a handsome young fellow, and you shall have my daughter." From this time all their wooing passed under the mother's eye; and, in fine, she became herself enamoured of her future son-in-law, and practised every art, both of endearment and of calumny, to transfer his affections from her daughter to herself. (The outlines of the tale are positive facts, and of no very distant date, though the author has purposely altered the names and the scene of action, as well as invented the characters of the parties and the detail of the incidents.) Edward, however, though perplexed by her strange detractions from her daughter's good qualities, yet in the innocence of his own heart still mistaking her increasing fondness for motherly affection; she at length, overcome by her miserable passion, after much abuse of Mary's temper and moral tendencies,

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