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THE LADDIES BY THE BANKS O' NITH.

O THAT I HAD NE'ER BEEN
MARRIED.

O THAT I had ne'er been married,
I wad never had nae care;
Now I've gotten wife and bairns,
An' they cry crowdie ever mair.
Ance crowdie, twice crowdie,
Three times crowdie in a day;
Gin ye crowdie ony mair,

Ye'll crowdie a' my meal away. Waefu want and hunger fley me,

Glowrin by the hallen en';
Sair I fecht them at the door,

But ay I'm eerie they come ben.
Ance crowdie, &c.

THERE'S NEWS, LASSES.

THERE'S news, lasses, news,
Gude news I've to tell,
There's a boat fu' o' lads
Come to our town to sell.
The wean wants a cradle,
An' the cradle wants a cod,
An' I'll no gang to my bed
Until I get a nod.

Father, quo' she, Mither, quo' she,
Do what ye can,
I'll no gang to my bed
Till I get a man.
The wean, &c.

I hae as gude a craft rig
As made o' yird and stane;
And waly fu' the ley-crap
For I maun till'd again.
The wean, &c.

SCROGGAM.

THERE was a wife wonn'd in Cockpen, Scroggam;

She brew'd gude ale for gentlemen, Sing auld Cowl, lay you down by me, Scroggam, my dearie, ruffum.

The gudewife's dochter fell in a fever, Scroggam;

The priest o' the parish fell in anither, Sing auld Cowl, lay you down by me, Scroggam, my dearie, ruffum.

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They laid the twa i' the bed thegither, Scroggam;

That the heat o' the tane might cool the tither,

Sing auld Cowl, lay you down by me,
Scroggam, my dearie, ruffum.

FRAE THE FRIENDS AND
LAND I LOVE.

FRAE the friends and land I love,
Driven by Fortune's felly spite,
Frae my best belov'd I rove,

Never mair to taste delight;
Never mair maun hope to find

Ease frae toil, relief frae care : When remembrance wrecks the mind, Pleasures but unveil despair. Brightest climes shall mirk appear, Desart ilka blooming shore, Till the Fates, nae mair severe, Friendship, love, and peace restore; Till revenge, wi' laurell'd head, Bring our banish'd hame again;

And ilka loyal, bonie lad

Cross the seas and win his ain.

THE LADDIES BY THE BANKS Ο' ΝΙΤΗ.

TUNE-Up and waur them a'

THE laddies by the banks o' Nith

Wad trust his Grace wi' a', Jamie, But he'll sair them as he sair'd the king

Turn tail and rin awa, Jamie.

Up and waur them a', Jamie, Up and waur them a'; The Johnstons hae the guidin' o't, Ye turncoat Whigs, awa. The day he stude his country's friend, Or gied her faes a claw, Jamie, Or frae puir man a blessin' wan,

That day the duke ne'er saw, Jamie. But wha is he, his country's boast? Like him there is na twa, Jamie; There's no a callant tents the kye, But kens o' Westerha', Jamie. To end the wark, here's Whistlebirck, Lang may his whistle blaw, Jamie; And Maxwell true o' sterling blue,

And we'll be Johnstons a', Jamie.

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SONG.

TUNE- Maggy Lauder'
WHEN first I saw fair Jeanie's face,
I couldna tell what ailed me,
My heart went fluttering pit-a-pat,

My een they almost failed me.
She's aye sae neat, sae trim, sae tight,
All grace does round her hover,
Ae look deprived me o' my heart,
And I became a lover.

She's aye, aye sae blithe, sae gay,
She's aye so blithe and cheerie;
She's aye sae bonie, blithe, and gay,
O gin I were her dearie!

Had I Dundas's whole estate,

Or Hopetoun's wealth to shine in ;
Did warlike laurels crown my brow,
Or humbler bays entwining-
I'd lay them a' at Jeanie's feet,

Could I but hope to move her,
And prouder than a belted knight,
I'd be my Jeanie's lover.

She's aye, aye sae blithe, sae
gay, &c.

But sair I fear some happier swain
Has gained sweet Jeanie's favour:
If so, may every bliss be hers,

Though I maun never have her :
But gang she east, or gang she west,

"Twixt Forth and Tweed all over, While men have eyes, or ears, or taste, She'll always find a lover.

She's aye, aye sae blithe, sae

gay, &c.

APPENDIX.

THE following Elegy, Extempore Verses to Gavin Hamilton, and Versicles on Signposts, now for the first time published, are extracted, it is supposed, from the copy of his Common-place Book which Burns presented to Mrs. Dunlop of Dunlop. The copy, after having been in the hands of several persons, and at each remove denuded of certain pages, came into the possession of Mr. Stillie, bookseller, Princes Street, Edinburgh, some years since, and is now the property of Mr. Macmillan. Besides the following poems, it contains two stanzas never before published of the Epitaph on Robert Fergusson, versions of There was a Lad was born in Kyle, and Gordon Castle, differing in some respects from those commonly printed; all of which have been embodied in the notes to the present edition. In the Common-place book, the Elegy is thus introduced :-"The following poem is the work of some hapless unknown son of the Muses, who deserved a better fate. There is a great deal of 'The Voice of Cona,' in his solitary mournful notes; and had the sentiments been clothed in Shenstone's language, they would have been no discredit even to that elegant poet." Burns, it will be seen, does not claim the authorship, and, from internal evidence, the Editor is of opinion that it was not written by him. Still, the Elegy, so far at least as the Editor is aware, exists nowhere else; and if Burns did not actually compose it, he at least thought it worthy of being copied with his own hand into a book devoted almost exclusively to his own compositions. Even if it were certain that Burns was not the author, still, the knowledge that he admired it, and that through his agency it alone exists, is considered sufficient excuse for its admission here. The Extempore Verses to Gavin Hamilton are as certainly Burns's as is Death and Dr. Hornbook, or the Address to the Deil. The dialect, the turn of phrase, the glittering surface of sarcasm, with the strong under-current of sense, and the peculiar off-hand impetuosity of idea and illustration, unmistakeably indicate Burns's hand, and his only. In the Commonplace Book, no date is given; but from the terms of the two closing stanzas, it would appear that the voyage to Jamaica was in contemplation at the period of its composition. The last stanza is almost identical in thought and expression with the closing lines of the well-known Dedication to Gavin Hamilton, which was written at that time, and which appeared in the first edition of the Poems printed at Kilmarnock.

The Versicles on Signposts have the following introduction :-"The everlasting surliness of a Lion, Saracen's head, &c. or the unchanging blandness of the Landlord welcoming a traveller, on some sign-posts, would be no bad similes of the constant affected fierceness of a Bully, or the eternal simper of a Frenchman or a Fiddler." The Versicles themselves are of little worth, and are indebted entirely to their paternity for their appearance here.

ELEGY.

STRAIT is the spot and green the sod,
From whence my sorrows flow:
And soundly sleeps the ever dear
Inhabitant below.

Pardon my transport, gentle shade,
While o'er the turf I bow!
Thy earthly house is circumscrib'd,
Ánd solitary now.

Not one poor stone to tell thy name,
Or make thy virtues known:
But what avails to me, to thee,
The sculpture of a stone?

I'll sit me down upon this turf,

And wipe away this tear :
The chill blast passes swiftly by,
And flits around thy bier.

Dark is the dwelling of the Dead,
And sad their house of rest:

Low lies the head by Death's cold arm
In aweful fold embrac'd.

I saw the grim Avenger stand

Incessant by thy side;
Unseen by thee, his deadly breath
Thy lingering frame destroy'd.

Pale grew the roses on thy cheek,
And wither'd was thy bloom,
Till the slow poison brought thy youth
Untimely to the tomb.

Thus wasted are the ranks of men,
Youth, Health, and Beauty fall:
The ruthless ruin spreads around,

And overwhelms us all.

Behold where round thy narrow house
The graves unnumber'd lie!
The multitudes that sleep below
Existed but to die.

Some, with the tottering steps of Age,

Trod down the darksome way:
And some, in youth's lamented prime,
Like thee, were torn away.

Yet these, however hard their fate,
Their native earth receives:
Amid their weeping friends they died,
And fill their fathers' graves.

From thy lov'd friends when first thy

heart

Was taught by Heaven to flow:
Far, far remov'd, the ruthless stroke
Surpris'd and laid thee low.

At the last limits of our isle,
Wash'd by the western wave,
Touch'd by thy fate, a thoughtful bard
Sits lonely on thy grave.

Pensive he eyes, before him spread,
The deep, outstretch'd and vast;
His mourning notes are borne away
Along the rapid blast.

And while, amid the silent Dead
Thy hapless fate he mourns,
His own long sorrows freshly bleed,
And all his grief returns.

Like thee, cut off in early youth
And flower of beauty's pride,
His friend, his first and only joy,
His much loved Stella, died.

Him, too, the stern impulse of Fate
Resistless bears along;

And the same rapid tide shall whelm
The Poet and the Song.

The tear of pity which he shed,
He asks not to receive;
Let but his poor remains be laid
Obscurely in the grave.

His grief-worn heart, with truest joy,
Shall meet the welcome shock:
His airy harp shall lie unstrung
And silent on the rock.

O, my dear maid, my Stella, when
Shall this sick period close:
And lead the solitary bard
To his beloved repose?

EXTEMPORE.

TO MR. GAVIN HAMILTON.

To you, Sir, this summons I've sent, Pray whip till the pownie is fraething; But if you demand what I want,

I honestly answer you, naething.

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Her fingers I lovingly squeezed, And kissed her and promised hernaething.

The priest anathemas may threat,—— Predicament, Sir, that we're baith in; But when honour's reveillé is beat,

The holy artillery's naething.

And now, I must mount on the wave, My voyage perhaps there is death in : But what of a watery grave?

The drowning a Poet is naething.

And now, as grim death's in my thought, To you, Sir, I make this bequeathing: My service as long as ye've aught,

And my friendship, by G-, when ye've naething.

VERSICLES ON SIGN-POSTS.

He looked

Just as your Sign-post lions do,
As fierce, and quite as harmless too.

PATIENT STUPIDITY.

So heavy, passive to the tempests' shocks, Strong on the Sign-post stands the stupid Ox.

His face with smile eternal drest,
Just like the Landlord to his guest,
High as they hang with creaking din,
To index out the Country Inn.

A head, pure, sinless quite of brain and soul,

The very image of a Barber's Poll;
It shows a human face and wears a wig,
And looks, when well preserved, amazing
big.

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