Cinema and Landscape

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Graeme Harper, Jonathan R. Rayner
Intellect, 2010 - Всего страниц: 315
"While the consideration of landscape on film has been growing in currency over the past four to five years. as yet no single publication has attempted to embrace the multitude of nationalities, cinematic examples and critical approaches that Cinema and Landscape encompasses. Written by reputed cinema scholars and academic innovators, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the art and humanities and the social sciences. The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese and Spike Lee, without New York? Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment."--P. [4] of cover.

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Содержание

Foreword
9
Landscape and the Fantasy of Moving Pictures Early Cinemas
31
The Ownership of Woods and Water Landscapes in British Cinema
147
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Об авторе (2010)

Graeme Harper is professor of creative writing and director of research at the University of Wales, Bangor. He is founding coeditor of the journal Studies in European Cinema and the associate founding editor of the Creative Industries Journal, both also published by Intellect.

Jonathan Rayner is a senior lecturer in English and film at the University of Sheffield. His previous books include The Naval War Film: Genre, History, National Cinema and Contemporary Australian Cinema.

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