Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - Всего страниц: 307 This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
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Стр. 9
... English literature . He is an active translator of opera librettos into Hebrew . David Hillman was educated at the Hebrew University of Jerusa- lem and is now a graduate student in English at Harvard , where he is writing a dissertation ...
... English literature . He is an active translator of opera librettos into Hebrew . David Hillman was educated at the Hebrew University of Jerusa- lem and is now a graduate student in English at Harvard , where he is writing a dissertation ...
Стр. 10
... English and for- mer head of the Department of English at the Hebrew University of Jerusalem . Avraham Oz , born in Tel Aviv , was educated in Israel and En- gland . He is head of the Department of Theatre at the University of Haifa and ...
... English and for- mer head of the Department of English at the Hebrew University of Jerusalem . Avraham Oz , born in Tel Aviv , was educated in Israel and En- gland . He is head of the Department of Theatre at the University of Haifa and ...
Стр. 36
... English Literary History 49 ( 1982 ) : 765-89 . 4. It is interesting to note how the economic implications of the biblical text so transparent to contemporary critics were of minimal importance to a scholar like Barbara K. Lewalski ...
... English Literary History 49 ( 1982 ) : 765-89 . 4. It is interesting to note how the economic implications of the biblical text so transparent to contemporary critics were of minimal importance to a scholar like Barbara K. Lewalski ...
Стр. 38
... English Christians exotic infidels , whose obstinate unbelief and cultural difference continued to challenge , boldly or surreptitiously , Christian hege- mony in Europe.1 In Shylock the Jew and the Prince of Morocco the Moor , The ...
... English Christians exotic infidels , whose obstinate unbelief and cultural difference continued to challenge , boldly or surreptitiously , Christian hege- mony in Europe.1 In Shylock the Jew and the Prince of Morocco the Moor , The ...
Стр. 45
... English stage , 33 a stage that had previously dramatized Moors as villains and in which blackness served as an emblem of evil . Morocco as a noble suitor contravenes this stereotype . Nevertheless , the representa- tion of Morocco as ...
... English stage , 33 a stage that had previously dramatized Moors as villains and in which blackness served as an emblem of evil . Morocco as a noble suitor contravenes this stereotype . Nevertheless , the representa- tion of Morocco as ...
Содержание
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
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Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
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Стр. 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Стр. 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Стр. 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Стр. 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Стр. 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Стр. 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Стр. 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Стр. 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.