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Стр. 16
William Abrahams , in his Introduction to the 58th O. Henry annual , calls attention to a general discontent with naturalism and detects a return to fantasy and myth : " stories that begin in imagination rather than in observation .
William Abrahams , in his Introduction to the 58th O. Henry annual , calls attention to a general discontent with naturalism and detects a return to fantasy and myth : " stories that begin in imagination rather than in observation .
Стр. 17
a not Kafka , as the psychopomp of these beautiful inventions : One begins to discern the lineaments of a new artist , one who can teach us to throw a slippery object far away , all in the one word , the one pleasure , touching ...
a not Kafka , as the psychopomp of these beautiful inventions : One begins to discern the lineaments of a new artist , one who can teach us to throw a slippery object far away , all in the one word , the one pleasure , touching ...
Стр. 26
Her exposition of the aria begins with an almost forbidding authority that sets the tone of dignity and high seriousness for the rest of the piece . Even before the aria is over , however , the protean quality of the work begins to ...
Her exposition of the aria begins with an almost forbidding authority that sets the tone of dignity and high seriousness for the rest of the piece . Even before the aria is over , however , the protean quality of the work begins to ...
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however than we learned otherwise Celia Gittelson chief | 23 |
Asleep appears courtesy of the Museum of Modern | 2 |
Moscow vs PekingLASZLO T KISS | 1 |
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