Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 34
( III.1ii ) Othello also abuses the white woman he has married , striking her in public ; verbally abusing her in front of others ; putting the label whore on her ; and finally , murdering her — the very white woman who has betrayed her ...
( III.1ii ) Othello also abuses the white woman he has married , striking her in public ; verbally abusing her in front of others ; putting the label whore on her ; and finally , murdering her — the very white woman who has betrayed her ...
Стр. 126
Since many of the later texts stress that relationships with white women are not always motivated by love , what then is the motivation ? What does the white woman have to do with the black man's position in society or , at least ...
Since many of the later texts stress that relationships with white women are not always motivated by love , what then is the motivation ? What does the white woman have to do with the black man's position in society or , at least ...
Стр. 127
The complex interplay of issues of identity involving the black man / white woman is not fully addressed in Othello . Shakespeare does not foreground the notion that Othello's marriage to Desdemona is his way to gain entry into Venetian ...
The complex interplay of issues of identity involving the black man / white woman is not fully addressed in Othello . Shakespeare does not foreground the notion that Othello's marriage to Desdemona is his way to gain entry into Venetian ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers