Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 46
If these two narrative threads are eventually knit into the deep emotional structures essential to English - speaking people to provide understanding of the tragedy , it might be fair to speculate , in a comic vein , whether Kato Kaelin ...
If these two narrative threads are eventually knit into the deep emotional structures essential to English - speaking people to provide understanding of the tragedy , it might be fair to speculate , in a comic vein , whether Kato Kaelin ...
Стр. 52
If the structure into which he has been integrated subscribes to values that are so closely held or assumed that they go all but unspoken , and if the outsider has nothing but a surface understanding of those values , conflict becomes ...
If the structure into which he has been integrated subscribes to values that are so closely held or assumed that they go all but unspoken , and if the outsider has nothing but a surface understanding of those values , conflict becomes ...
Стр. 53
a complete understanding of the unspoken values of the world in which he operates , destruction of the self becomes almost an inevitability . Such is Othello's situation . It is unfortunate that very little is known about the relation ...
a complete understanding of the unspoken values of the world in which he operates , destruction of the self becomes almost an inevitability . Such is Othello's situation . It is unfortunate that very little is known about the relation ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers