Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 28
... tells Roderigo ( who is accusing him of concealing the true state of relations between Othello and Desdemona from ... telling him , Iago , about it . His last words are , " Demand me nothing . What you know you know . / Henceforth , I ...
... tells Roderigo ( who is accusing him of concealing the true state of relations between Othello and Desdemona from ... telling him , Iago , about it . His last words are , " Demand me nothing . What you know you know . / Henceforth , I ...
Стр. 51
... tell us , directly , in Act I , scene i , that two sets of values are in conflict and that the traditional ethic ... tells Roderigo , petitioned Othello to make lago his lieutenant . But Othello rejects their suits and makes Michael ...
... tell us , directly , in Act I , scene i , that two sets of values are in conflict and that the traditional ethic ... tells Roderigo , petitioned Othello to make lago his lieutenant . But Othello rejects their suits and makes Michael ...
Стр. 184
... telling instances of ambiguity concerning Othello's re- deemed vision occur in his very last speech . Although the tone of Oth ... tells Lodovico to " speak of my deeds as they are ; nothing extenuate " ( V.ii.343 184 Academic Critics.
... telling instances of ambiguity concerning Othello's re- deemed vision occur in his very last speech . Although the tone of Oth ... tells Lodovico to " speak of my deeds as they are ; nothing extenuate " ( V.ii.343 184 Academic Critics.
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words