Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 62
When he does appear on the stage at Cyprus , he carries in his speech to Desdemona an echo of the storm from which he has emerged , as well as a foreshadowing of his own emotional fate : If after every tempest come such calms , May the ...
When he does appear on the stage at Cyprus , he carries in his speech to Desdemona an echo of the storm from which he has emerged , as well as a foreshadowing of his own emotional fate : If after every tempest come such calms , May the ...
Стр. 67
and his dread of losing Desdemona — are merged in this speech . Othello is speaking here to the heavens , from which he once expected protection and salvation , and to himself , both at the same time . “ It is the cause ( causality ?
and his dread of losing Desdemona — are merged in this speech . Othello is speaking here to the heavens , from which he once expected protection and salvation , and to himself , both at the same time . “ It is the cause ( causality ?
Стр. 72
In this same speech , he says to Desdemona : When we shall meet at compt ( Judgment ] This look of thine will hurl my soul from heaven , And friends will snatch at it . But Othello still insists on his nobility of intention when accused ...
In this same speech , he says to Desdemona : When we shall meet at compt ( Judgment ] This look of thine will hurl my soul from heaven , And friends will snatch at it . But Othello still insists on his nobility of intention when accused ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers