Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 130
The distance between Shakespeare and the three white villains of the play is lessened by this description of Othello colluding with hegemony and the suggestion that uncontrollable passion and sexual perversion have always been part of ...
The distance between Shakespeare and the three white villains of the play is lessened by this description of Othello colluding with hegemony and the suggestion that uncontrollable passion and sexual perversion have always been part of ...
Стр. 133
Also relevant is Madelon Gohlke's discussion of “ Othello's appalling pun , relating his suicide to an act of sexual consummation , " which is evidenced by the lines “ I kissed thee ere I killed thee . No way but this , / Killing myself ...
Also relevant is Madelon Gohlke's discussion of “ Othello's appalling pun , relating his suicide to an act of sexual consummation , " which is evidenced by the lines “ I kissed thee ere I killed thee . No way but this , / Killing myself ...
Стр. 177
10 The same empty gestures mark Othello's sexual power in the play . That is , despite all the talk about sexuality in Othello , there is little of it in the relationship between Othello and Desdemona . Although I disagree with those ...
10 The same empty gestures mark Othello's sexual power in the play . That is , despite all the talk about sexuality in Othello , there is little of it in the relationship between Othello and Desdemona . Although I disagree with those ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers