Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 54
His third source of personal merit seems almost arrogant : My parts , my title , and my perfect soul Shall manifest me rightly . This seeming arrogance in Othello , threaded throughout the play , proves to be his undoing .
His third source of personal merit seems almost arrogant : My parts , my title , and my perfect soul Shall manifest me rightly . This seeming arrogance in Othello , threaded throughout the play , proves to be his undoing .
Стр. 116
The extensive word play between Iago and Desdemona in Act II , scene i , has always seemed odd to me . Othello is a general , lago but an ensign . Light banter between Cassio and Desdemona seems acceptable because the class division ...
The extensive word play between Iago and Desdemona in Act II , scene i , has always seemed odd to me . Othello is a general , lago but an ensign . Light banter between Cassio and Desdemona seems acceptable because the class division ...
Стр. 184
For example , something seems awry in Othello's perception of reality when he describes Montano , the soldier who has disarmed him , as a " puny whipster ” ( V.ii.245 ) . He understates the soldierly abilities of Montano and overstates ...
For example , something seems awry in Othello's perception of reality when he describes Montano , the soldier who has disarmed him , as a " puny whipster ” ( V.ii.245 ) . He understates the soldierly abilities of Montano and overstates ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers