Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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and that they saw the role and their enactment of it as a challenge to complacent and entrenched assumptions about the black race to which he and they belonged . It may finally be said that if Kean banished the black Othello from the ...
and that they saw the role and their enactment of it as a challenge to complacent and entrenched assumptions about the black race to which he and they belonged . It may finally be said that if Kean banished the black Othello from the ...
Стр. 103
The impact , as several critics realized , was due to the fact that a black actor was playing the lead role . The Variety critic summed up the general reaction when he declared that after Robeson “ no white man should ever dare presume ...
The impact , as several critics realized , was due to the fact that a black actor was playing the lead role . The Variety critic summed up the general reaction when he declared that after Robeson “ no white man should ever dare presume ...
Стр. 114
Othello does . And the stark fact of an interracial marriage stares the audience literally in the face when a black actor plays Othello . Ira Aldridge was the first known black man to play the role of the Moor .
Othello does . And the stark fact of an interracial marriage stares the audience literally in the face when a black actor plays Othello . Ira Aldridge was the first known black man to play the role of the Moor .
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers