Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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... play or a play about racism , opinion is almost equally divided between those contributors who see it as a racist play , written by a racist playwright , for a racist audience , and those who see it as a play about racism , with lago ...
... play or a play about racism , opinion is almost equally divided between those contributors who see it as a racist play , written by a racist playwright , for a racist audience , and those who see it as a play about racism , with lago ...
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... play- ers , however , continued to play Othello as light - skinned . When Salvini's son played the part in the 1890s , he stated that his father had been wrong in making Othello so dark , for Desdemona could never have loved a man with ...
... play- ers , however , continued to play Othello as light - skinned . When Salvini's son played the part in the 1890s , he stated that his father had been wrong in making Othello so dark , for Desdemona could never have loved a man with ...
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... play ... Many things occurred to me as I studied the script . The first major discovery was that the play , although called Othello , is actually about lago . The next major discovery was that Iago was a remake of the char- acter ...
... play ... Many things occurred to me as I studied the script . The first major discovery was that the play , although called Othello , is actually about lago . The next major discovery was that Iago was a remake of the char- acter ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words