Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 33
... marry him against all that whites consider " natural " and against the will of Brabantio , who is the white woman's father : Brabantio : A maiden never bold , Of spirit so still and quiet that her motion Blushed at herself ; and she ...
... marry him against all that whites consider " natural " and against the will of Brabantio , who is the white woman's father : Brabantio : A maiden never bold , Of spirit so still and quiet that her motion Blushed at herself ; and she ...
Стр. 153
... a wanton who was shameless enough to marry " a rude unbleached African " ( Variorum , 391 ) . Yet another American , Lillian Winstanley , sees Desdemona's love for and trust in Othello as " so unnatural that S. E. OGUDE 153.
... a wanton who was shameless enough to marry " a rude unbleached African " ( Variorum , 391 ) . Yet another American , Lillian Winstanley , sees Desdemona's love for and trust in Othello as " so unnatural that S. E. OGUDE 153.
Стр. 174
... marrying earlier . The most likely explanation for his extended bachelorhood is that the sol- dier's life has not allowed ... marry this particular woman at this particular time , especially given the potential racial dangers of such a ...
... marrying earlier . The most likely explanation for his extended bachelorhood is that the sol- dier's life has not allowed ... marry this particular woman at this particular time , especially given the potential racial dangers of such a ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words