Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 8
Kean himself asserted that he “ regarded it as a gross error to make Othello either a negro or a black , and accordingly altered the conventional black to a light brown which distinguishes the Moors by virtue of their descent from the ...
Kean himself asserted that he “ regarded it as a gross error to make Othello either a negro or a black , and accordingly altered the conventional black to a light brown which distinguishes the Moors by virtue of their descent from the ...
Стр. 67
Put out the light , and then put out the light . If I quench thee , thou flaming minister , I can again thy former light restore , Should I repent me ; but once put out thy light , Thou cunning'st pattern of excellent nature , I know ...
Put out the light , and then put out the light . If I quench thee , thou flaming minister , I can again thy former light restore , Should I repent me ; but once put out thy light , Thou cunning'st pattern of excellent nature , I know ...
Стр. 70
This is the Sufi philosopher Al - Ghazzali , who , in his Mishkat Al - Anwar ( The Niche for Light ) , speaks of the meaning of the symbolic language of Levantine tradition , a language that enters Western tradition in the allegory ...
This is the Sufi philosopher Al - Ghazzali , who , in his Mishkat Al - Anwar ( The Niche for Light ) , speaks of the meaning of the symbolic language of Levantine tradition , a language that enters Western tradition in the allegory ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers