Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 190
Othello offers an expansive view of the ways in which language works against certain speakers and is twisted and perverted in the mouth of a dishonest practitioner . By playing on the ambiguities and ironies inherent in language ...
Othello offers an expansive view of the ways in which language works against certain speakers and is twisted and perverted in the mouth of a dishonest practitioner . By playing on the ambiguities and ironies inherent in language ...
Стр. 191
Othello is at one level a dramatization of the mechanism and failure of language , a dialectic between reality and " invention . ” Iago's diabolical , insatiable desire , bounded only by Desdemona's death , moves within a socially ...
Othello is at one level a dramatization of the mechanism and failure of language , a dialectic between reality and " invention . ” Iago's diabolical , insatiable desire , bounded only by Desdemona's death , moves within a socially ...
Стр. 195
Othello and Desdemona use language to “ deliver ” what Baudrillard terms " real meaning , ” “ truth , " or honest discourse , in contradistinction to lago's manifestly perjured discourse . If , as Baudrillard observes , seduction sports ...
Othello and Desdemona use language to “ deliver ” what Baudrillard terms " real meaning , ” “ truth , " or honest discourse , in contradistinction to lago's manifestly perjured discourse . If , as Baudrillard observes , seduction sports ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers