Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 18
Clad in African robes he squatted , intoning over a pile of bones , beating the floor rhythmically with his hand . In the final scene , barefoot and in a caftan , he performed a silent ritual before approaching the sleeping Desdemona .
Clad in African robes he squatted , intoning over a pile of bones , beating the floor rhythmically with his hand . In the final scene , barefoot and in a caftan , he performed a silent ritual before approaching the sleeping Desdemona .
Стр. 149
At the moment of his suicide , his final extensive speech in the play suggests this appropriation of the world view of the other when he implores Lodovico , Gratiano , and others to speak of him as “ one whose hand , / Like the base ...
At the moment of his suicide , his final extensive speech in the play suggests this appropriation of the world view of the other when he implores Lodovico , Gratiano , and others to speak of him as “ one whose hand , / Like the base ...
Стр. 162
Thus , when he confesses that he killed Desdemona , Emilia cries , “ O , the more angel she , / And you the blacker devil ” ( V.ii.132–33 ) and “ Thou dost belie her and thou art a devil ” ( V.ii.134 ) before pronouncing the final ...
Thus , when he confesses that he killed Desdemona , Emilia cries , “ O , the more angel she , / And you the blacker devil ” ( V.ii.132–33 ) and “ Thou dost belie her and thou art a devil ” ( V.ii.134 ) before pronouncing the final ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers