Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 59
She told her , while she kept it ' Twould make her amiable and subdue my father Entirely to her love ; but if she lost it Or made a gift of it , my father's eye Should hold her loathed , and his spirits should hunt After new fancies .
She told her , while she kept it ' Twould make her amiable and subdue my father Entirely to her love ; but if she lost it Or made a gift of it , my father's eye Should hold her loathed , and his spirits should hunt After new fancies .
Стр. 60
Still conforming to the “ high " style of the courtly love tradition , Othello has this exchange with Brabantio , Desdemona's father : Brabantio : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
Still conforming to the “ high " style of the courtly love tradition , Othello has this exchange with Brabantio , Desdemona's father : Brabantio : Look to her , Moor , if thou hast eyes to see : She has deceived her father , and may ...
Стр. 197
( I.iii.165–68 ) Asked to corroborate Othello's testimony , Desdemona , like Othello , preempts her father's argument by taking the discursive initiative : she expropriates her father's discourse of “ obedience ” and , like Othello ...
( I.iii.165–68 ) Asked to corroborate Othello's testimony , Desdemona , like Othello , preempts her father's argument by taking the discursive initiative : she expropriates her father's discourse of “ obedience ” and , like Othello ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers