Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 191
Iago's diabolical , insatiable desire , bounded only by Desdemona's death , moves within a socially established discourse that feeds on itself and devours other discourses in its wake . Language in Othello is , then , not merely a ...
Iago's diabolical , insatiable desire , bounded only by Desdemona's death , moves within a socially established discourse that feeds on itself and devours other discourses in its wake . Language in Othello is , then , not merely a ...
Стр. 194
in order to invalidate it , substituting the charm and illusion of appearances ” in contrast to " all meaningful discourse ( which ) seeks to end appearance . ” But , Baudrillard continues , " inexorably , discourse is left to its ...
in order to invalidate it , substituting the charm and illusion of appearances ” in contrast to " all meaningful discourse ( which ) seeks to end appearance . ” But , Baudrillard continues , " inexorably , discourse is left to its ...
Стр. 195
Seduction robs discourse of its " sense and turns it from truth ” by causing “ manifest discourse ” —the surface meaning — to " say what ... it causes determinations and profound indeterminations to show through in manifest discourse .
Seduction robs discourse of its " sense and turns it from truth ” by causing “ manifest discourse ” —the surface meaning — to " say what ... it causes determinations and profound indeterminations to show through in manifest discourse .
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers