Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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... and twentieth centuries is the linkage between the ideological climate and audience and reviewer responses on the one hand and , on the other , the question of the degree of the hero's color - black , tawny , or almost white .
... and twentieth centuries is the linkage between the ideological climate and audience and reviewer responses on the one hand and , on the other , the question of the degree of the hero's color - black , tawny , or almost white .
Стр. 10
Although the spectacle was no doubt theatrically distanced , they could still take it only at a further remove or displacement with regard to Othello's race and color . As Edelstein himself points out , from the early nineteenth century ...
Although the spectacle was no doubt theatrically distanced , they could still take it only at a further remove or displacement with regard to Othello's race and color . As Edelstein himself points out , from the early nineteenth century ...
Стр. 161
This color worship is sharply contrasted with Desdemona's tendency to play down Othello's color and emphasize his heroic achievements . Shakespeare seems deliberately to emphasize this sharp contrast between “ the lascivious Moor ” and ...
This color worship is sharply contrasted with Desdemona's tendency to play down Othello's color and emphasize his heroic achievements . Shakespeare seems deliberately to emphasize this sharp contrast between “ the lascivious Moor ” and ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers