Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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The actor playing Othello ritualistically begins to don his blackface makeup in full view of the audience . As he finishes , the three circles open to reveal Desdemona , Emilia , and Bianca . The actor playing lago is now revealed in ...
The actor playing Othello ritualistically begins to don his blackface makeup in full view of the audience . As he finishes , the three circles open to reveal Desdemona , Emilia , and Bianca . The actor playing lago is now revealed in ...
Стр. 41
The white male who played Othello begins ritualistically to remove his makeup . Iago mounts a podium above them all and opens his arms in welcome . He begins a joyous laugh , which is picked up by the plants in the audience .
The white male who played Othello begins ritualistically to remove his makeup . Iago mounts a podium above them all and opens his arms in welcome . He begins a joyous laugh , which is picked up by the plants in the audience .
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It is significant to note that Othello's deep suspicion begins even before he knows that the handkerchief has been stolen by Emilia and passed on to lago . It is almost as if Othello senses some spiritual loss inside himself .
It is significant to note that Othello's deep suspicion begins even before he knows that the handkerchief has been stolen by Emilia and passed on to lago . It is almost as if Othello senses some spiritual loss inside himself .
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers