Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 41
... begins ritual- istically to remove his makeup . Iago mounts a podium above them all and opens his arms in welcome . He begins a joyous laugh , which is picked up by the plants in the audience . The laughter gets bigger and bigger ...
... begins ritual- istically to remove his makeup . Iago mounts a podium above them all and opens his arms in welcome . He begins a joyous laugh , which is picked up by the plants in the audience . The laughter gets bigger and bigger ...
Стр. 66
... begins even before he knows that the handkerchief has been stolen by Emilia and passed on to lago . It is almost as if Othello senses some spiritual loss inside himself . From this point onward in the play , Othello's language becomes ...
... begins even before he knows that the handkerchief has been stolen by Emilia and passed on to lago . It is almost as if Othello senses some spiritual loss inside himself . From this point onward in the play , Othello's language becomes ...
Стр. 163
... begins to wear off , Othello becomes a monstrosity of colors : the wine - red lips and snow- white eyes against a background of messy blackness . It is interesting to observe in this connection that both the fierce barbarian of Edmund ...
... begins to wear off , Othello becomes a monstrosity of colors : the wine - red lips and snow- white eyes against a background of messy blackness . It is interesting to observe in this connection that both the fierce barbarian of Edmund ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words