Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 61
It becomes a symbol of Othello's own lifeline , though steeped in " Orientalism " ; and because it is then in Desdemona's hands , it becomes the symbolic proof of Othello's own faith in their bond . Othello thus carries to the Island of ...
It becomes a symbol of Othello's own lifeline , though steeped in " Orientalism " ; and because it is then in Desdemona's hands , it becomes the symbolic proof of Othello's own faith in their bond . Othello thus carries to the Island of ...
Стр. 66
Once the handkerchief passes from Emilia to lago , it is increasingly debased and cheapened , losing its original meaning , until it becomes only a trifle for Bianca , Cassio's whore . It would be an instructive exercise to trace the ...
Once the handkerchief passes from Emilia to lago , it is increasingly debased and cheapened , losing its original meaning , until it becomes only a trifle for Bianca , Cassio's whore . It would be an instructive exercise to trace the ...
Стр. 148
Othello as both Moor and black becomes representative of the contradictory cultural attitudes of his observers : he is “ noble ” yet black . III As lago's influence over Othello becomes more powerful and intense , resulting in the ...
Othello as both Moor and black becomes representative of the contradictory cultural attitudes of his observers : he is “ noble ” yet black . III As lago's influence over Othello becomes more powerful and intense , resulting in the ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers