Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 31
My guess as a director was that white as well as black audiences would be shocked ; for in such a production ... Iago tells jokes , speaks to the audience directly more than any other character , sings songs , moralizes , and acts as ...
My guess as a director was that white as well as black audiences would be shocked ; for in such a production ... Iago tells jokes , speaks to the audience directly more than any other character , sings songs , moralizes , and acts as ...
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He need give no explanations to the audience , for through his narrations he has succeeded in making that audience an accomplice to his schemes , his plotting , and even to his murders . If lago is guilty , so is the audience .
He need give no explanations to the audience , for through his narrations he has succeeded in making that audience an accomplice to his schemes , his plotting , and even to his murders . If lago is guilty , so is the audience .
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( V.ii ) The audience will be made aware that it is also in Cassio's power to pardon lago . The fact that the playwright does not give Cassio a response here , either positively or negatively , is significant . Iago may well go free .
( V.ii ) The audience will be made aware that it is also in Cassio's power to pardon lago . The fact that the playwright does not give Cassio a response here , either positively or negatively , is significant . Iago may well go free .
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers