Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 49
... Venice , one assumes , is the same Venice inhabited by Shylock , another alien , in Shakespeare's The Merchant of Venice . In the latter play , the Christian traditions of Venice are at the very center of the actions of the major ...
... Venice , one assumes , is the same Venice inhabited by Shylock , another alien , in Shakespeare's The Merchant of Venice . In the latter play , the Christian traditions of Venice are at the very center of the actions of the major ...
Стр. 50
... Venice over which the Duke presides is a Venice seemingly stripped of the veneer of Christianity that was essen- tial to the action of The Merchant . The Duke's Venice seems to be closer to the mode of an ancient European territorial ...
... Venice over which the Duke presides is a Venice seemingly stripped of the veneer of Christianity that was essen- tial to the action of The Merchant . The Duke's Venice seems to be closer to the mode of an ancient European territorial ...
Стр. 176
... Venice . Thus , while the thought of Desdemona's unfaithfulness touches a raw nerve in Othello , it also raises the specter of a dashed opportunity ( at a key point in his career ) to preserve and even enhance the possibility of a safe ...
... Venice . Thus , while the thought of Desdemona's unfaithfulness touches a raw nerve in Othello , it also raises the specter of a dashed opportunity ( at a key point in his career ) to preserve and even enhance the possibility of a safe ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words