Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 52
a a to help the Venetians in their battles . Among these mercenaries are Othello , a Moorish officer and a veteran of many battles , and Michael Cassio , from the rival territorial state of Florence . The necessities of war have ...
a a to help the Venetians in their battles . Among these mercenaries are Othello , a Moorish officer and a veteran of many battles , and Michael Cassio , from the rival territorial state of Florence . The necessities of war have ...
Стр. 73
Is Othello's self - negation so total that he chooses to die to appease only the Venetian sense of justice , or has the personal ethic that has sustained Othello all his life , his “ perfect soul , ” his belief in his own election ...
Is Othello's self - negation so total that he chooses to die to appease only the Venetian sense of justice , or has the personal ethic that has sustained Othello all his life , his “ perfect soul , ” his belief in his own election ...
Стр. 180
Venetian men are said to be partial to “ foreign laps ” ( IV.iii.88 ) , and the Venetian women would proverbially “ walk barefoot to Palestine ” ( IV.iii.38–39 ) to find a good husband . All of these references connote a sense of ...
Venetian men are said to be partial to “ foreign laps ” ( IV.iii.88 ) , and the Venetian women would proverbially “ walk barefoot to Palestine ” ( IV.iii.38–39 ) to find a good husband . All of these references connote a sense of ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers