Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 33
Roderigo is murdered . There is no real tragedy in this , for he is trying to murder the man who wounds him . Iago strikes Roderigo the fatal blow — there is no tragedy here because Roderigo is in league with lago .
Roderigo is murdered . There is no real tragedy in this , for he is trying to murder the man who wounds him . Iago strikes Roderigo the fatal blow — there is no tragedy here because Roderigo is in league with lago .
Стр. 199
When threatened by Roderigo's decision to confront Desdemona , however , Iago proves that he still controls the discourse , which he quickly interposes between Roderigo's demand for proof and his own will to power .
When threatened by Roderigo's decision to confront Desdemona , however , Iago proves that he still controls the discourse , which he quickly interposes between Roderigo's demand for proof and his own will to power .
Стр. 200
Roderigo's recognition that lago's words are at odds with his actions - promises without proof , discourse without substance — begins the ineluctable drive toward the failure of lago's disruptive discourse . Roderigo's threat to ...
Roderigo's recognition that lago's words are at odds with his actions - promises without proof , discourse without substance — begins the ineluctable drive toward the failure of lago's disruptive discourse . Roderigo's threat to ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers