Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 60
Moreover , while he is still in Venice , Othello makes before Brabantio and the Signoria a formal gesture as important as the handkerchief to the tragic developments in the play . Still conforming to the “ high " style of the courtly ...
Moreover , while he is still in Venice , Othello makes before Brabantio and the Signoria a formal gesture as important as the handkerchief to the tragic developments in the play . Still conforming to the “ high " style of the courtly ...
Стр. 71
But now he has committed murder , has broken the laws of Venice , and has also broken his vow to Brabantio , Desdemona's father , who , we learn in the same scenes , has died . The unifying power of the handkerchief has been destroyed ...
But now he has committed murder , has broken the laws of Venice , and has also broken his vow to Brabantio , Desdemona's father , who , we learn in the same scenes , has died . The unifying power of the handkerchief has been destroyed ...
Стр. 192
It is interesting to note that near the opening of the play , lago tells Roderigo to call up Brabantio , rouse and incense him with “ timorous accent and dire yell ” ( I.1.74 ) . Iago's directive is metalinguistic , one that announces ...
It is interesting to note that near the opening of the play , lago tells Roderigo to call up Brabantio , rouse and incense him with “ timorous accent and dire yell ” ( I.1.74 ) . Iago's directive is metalinguistic , one that announces ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers