Shakespeare's Tragic SequenceRoutledge, 11 окт. 2013 г. - Всего страниц: 216 First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. |
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Стр. 11
... plays are open by appealing to their historical character, and by denying that such works are to be judged by the standard of pure tragedy. In any case, most of the plays, perhaps all, do show, as a matter of fact, considerable ...
... plays are open by appealing to their historical character, and by denying that such works are to be judged by the standard of pure tragedy. In any case, most of the plays, perhaps all, do show, as a matter of fact, considerable ...
Стр. 12
... play of a great dramatist will demand its own individual form. It is plain that the form of Peer Gynt is utterly different from that of Rosmersholrn or The Master Builder; that of Phedre from that of Be're'nice or Athalie; that of King ...
... play of a great dramatist will demand its own individual form. It is plain that the form of Peer Gynt is utterly different from that of Rosmersholrn or The Master Builder; that of Phedre from that of Be're'nice or Athalie; that of King ...
Стр. 14
... plays are taken to exemplify the order of faith—Romeo and julz'et and Hamlet representing the thesis and Othello and Macbeth the antithesis. Of the four plays which exemplify the order of nature, julius Caesar and Coriolanus represent ...
... plays are taken to exemplify the order of faith—Romeo and julz'et and Hamlet representing the thesis and Othello and Macbeth the antithesis. Of the four plays which exemplify the order of nature, julius Caesar and Coriolanus represent ...
Стр. 15
... plays from the beginning to the end of his career . . . Pride is no less powerful in Brutus, Hamlet and Othello because it is subtly so. Professor Elliott is well aware of the substantial difference between one play and another, but he ...
... plays from the beginning to the end of his career . . . Pride is no less powerful in Brutus, Hamlet and Othello because it is subtly so. Professor Elliott is well aware of the substantial difference between one play and another, but he ...
Стр. 18
... plays of Marston, to portraits of melancholics by Jonson, Shakespeare and others. Yet the greatest tragedies were ... plays on English history. The whole sequence ends with the Tudor settlement; but three of the plays are tragedies and ...
... plays of Marston, to portraits of melancholics by Jonson, Shakespeare and others. Yet the greatest tragedies were ... plays on English history. The whole sequence ends with the Tudor settlement; but three of the plays are tragedies and ...
Содержание
9 | |
11 | |
20 | |
3 Julius Caesar
| 42 |
4 Hamlet
| 55 |
5 Othello
| 93 |
6 King Lear
| 117 |
7 Macbeth
| 142 |
8 Antony and Cleopatra
| 156 |
9 Coriolanus
| 172 |
10 Timon of Athens
| 187 |
Notes
| 197 |
Index | 205 |
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Часто встречающиеся слова и выражения
action Antony Antony and Cleopatra Antony’s argued audience avenger Banquo behaviour Bradley Brutus Caesar Cassius character Claudius Claudius’s Cleopatra Coleridge confesses conflict conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil difficult dramatist Edgar Elizabethan evil father fear figure final finally find first scene fit flatterers flesh fool Gertrude Ghost Gloucester gods Goneril Guildenstern guilty Hamlet hates hath heart heaven Horatio horror Iago Iago’s imagery images influence jealous Juliet kill King Lear King’s L. C. Knights Laertes Lear’s lovers man’s Menenius merely mind moral mother murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise reflection regarded revealed revenge Richard Roderigo Romeo Rosencrantz sacrifice says Shakespeare significant soliloquy soul speaks speech spirit suggested suicide tells thee There’s thou thought Timon Timon of Athens Titus Andronicus tragedy tragic hero villain virtue wife Wilson Knight words