To Sound Like Yourself: Essays on PoetryBOA Editions, 2002 - Всего страниц: 243 In To Sound Like Yourself, poet W. D. Snodgrass goes after that singular quality, the poet's individual voice, that separates the best poetry from the merely technical and pedantic. Beginning with an essay on the poetic impulse, Snodgrass discusses natural rhythms, such as in the owl's call, the rocking of the cradle, and how they correspond to common verse metrics. Later, in discussions of such poems as Sir Thomas Wyatt's "They Flee from Me," and in a frank and thorough discussion of Walt Whitman's life and art, Snodgrass lauds the individuating process that occurs when a poet's own technique bursts the boundaries of form. In his final essay in the volume, "Meter, Music, Meaning," he points out how stresses and rhythms not only give us the music of poetry, but also help deliver a poem's meaning. To Sound Like Yourself is essential reading for poets and students of poetry. Book jacket. |
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Стр. 125
... rhyme and rhythm than in its details . Seemingly free verse , it is actually based on the four - foot , heavy - stress lines of such nursery rhymes as " Hot Cross Buns " or " Three Blind Mice . " Even more apt , echoing Prufrock's rhyme ...
... rhyme and rhythm than in its details . Seemingly free verse , it is actually based on the four - foot , heavy - stress lines of such nursery rhymes as " Hot Cross Buns " or " Three Blind Mice . " Even more apt , echoing Prufrock's rhyme ...
Стр. 191
... Rhymes - often extravagant , sometimes downright desperate may suggest line breaks ; this , however , is countered by lines which are ( either by Hopkins ' fiat or his syntax ) enjambed or " rove over " ; meantime , internal or nonce rhymes ...
... Rhymes - often extravagant , sometimes downright desperate may suggest line breaks ; this , however , is countered by lines which are ( either by Hopkins ' fiat or his syntax ) enjambed or " rove over " ; meantime , internal or nonce rhymes ...
Стр. 227
... rhymes which can vary from one to three syllables ( “ even and / ... heaven and " ) , rhymes that fall on normally unstressed syllables , risqué rhymes which are suggested but never appear ( " bells and grass / Up to her knees ...
... rhymes which can vary from one to three syllables ( “ even and / ... heaven and " ) , rhymes that fall on normally unstressed syllables , risqué rhymes which are suggested but never appear ( " bells and grass / Up to her knees ...
Содержание
PULSE AND IMPULSE | 11 |
AGAINST YOUR BELIEFS | 31 |
SHAPES MERGING AND EMERGING | 51 |
Авторские права | |
Не показаны другие разделы: 5
Часто встречающиеся слова и выражения
acceptance actually alliterations answer appear areas become beginning break child close course critics death earlier echoes effect emotional English equally example expect eyes fact falling feel final foot forms four Further give hand hear Hopkins human iambic lady language later least leaves less light lived look lost meaning merely meters mind Moore move movement nature never night nonsense noted offer once opening passage pattern perhaps phrases play poem poem's poet poetry produced question readers regular relation rhymes rhythm rhythmic Robert scene seems sense sexual sing sometimes song sound stanza story stresses structure suggest Syllabic Verse syllables syntax tell thing thought translation trees trochaic true turn usually variations verse voice Whitman whole woods