To Sound Like Yourself: Essays on Poetry

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BOA Editions, 2002 - Всего страниц: 243
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In To Sound Like Yourself, poet W. D. Snodgrass goes after that singular quality, the poet's individual voice, that separates the best poetry from the merely technical and pedantic. Beginning with an essay on the poetic impulse, Snodgrass discusses natural rhythms, such as in the owl's call, the rocking of the cradle, and how they correspond to common verse metrics. Later, in discussions of such poems as Sir Thomas Wyatt's "They Flee from Me," and in a frank and thorough discussion of Walt Whitman's life and art, Snodgrass lauds the individuating process that occurs when a poet's own technique bursts the boundaries of form. In his final essay in the volume, "Meter, Music, Meaning," he points out how stresses and rhythms not only give us the music of poetry, but also help deliver a poem's meaning. To Sound Like Yourself is essential reading for poets and students of poetry. Book jacket.

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To Sound Like Yourself: Essays on Poetry (American Readers Series)

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Two new entries in the recent spate of books about poetry delve into that elusive concept, the poet's voice. In To Sound Like Yourself, The Pulitzer Prize-winning poet Snodgrass offers six lengthy ... Читать весь отзыв

Содержание

PULSE AND IMPULSE
11
AGAINST YOUR BELIEFS
31
SHAPES MERGING AND EMERGING
51
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Об авторе (2002)

W. D. Snodgrass is author of over twenty books of poetry, two books of literary criticism, and six volumes of translation. Honors include an Ingram Merrill Foundation award, Harold Morton Landon Translation Award, and fellowships from The Academy of American Poets, Ford Foundation, Guggenheim Foundation, and National Endownment for the Arts. He retired from teaching in 1994.

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