A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.
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POPism: The Warhol SixtiesПользовательский отзыв - Not Available - Book Verdict
The darling of pop art released these autobiographical portraits in 1975 and 1980, respectively. With his shock of blonde-white hair and unusual art style, you might think these remembrances would be ... Читать весь отзыв
Review: POPism: The Warhol SixtiesПользовательский отзыв - Caroline Fontenot - Goodreads
Wasn't as good as I thought it would be. It was super entertaining the first few chapters, and then it was incredibly repetitive. Still love Andy, though. This book isn't as much about art as I'd hoped. Читать весь отзыв