The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - Всего страниц: 283 This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
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Стр. 18
... subjectivity . The other idea that connects these statements is a reservation about authenticity , a fear that adhering too rigidly to the theories or practices of authenticity will interfere in the discovery and development of personal ...
... subjectivity . The other idea that connects these statements is a reservation about authenticity , a fear that adhering too rigidly to the theories or practices of authenticity will interfere in the discovery and development of personal ...
Стр. 89
... subjectivity . The carefully thought out research bulletins of Jaq Bessell offer a hint of this in the rehearsal journal which she records for the production of Antony and Cleopatra . She writes of the third scene of the play , where ...
... subjectivity . The carefully thought out research bulletins of Jaq Bessell offer a hint of this in the rehearsal journal which she records for the production of Antony and Cleopatra . She writes of the third scene of the play , where ...
Стр. 142
... subjectivities . Obviously these productions would have arrived at very different conclusions with all - male casts ... subjectivity of the early modern role they were playing ; of subverting that which was viewed as demonic , and ...
... subjectivities . Obviously these productions would have arrived at very different conclusions with all - male casts ... subjectivity of the early modern role they were playing ; of subverting that which was viewed as demonic , and ...
Содержание
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Авторские права | |
Не показаны другие разделы: 20
Часто встречающиеся слова и выражения
academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
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The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Ограниченный просмотр - 2007 |