The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - Всего страниц: 283 This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
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Стр. 4
... seasons . Including the previous Prologue Season's production of The Two Gentlemen of Verona and up until the 2000 season , the fourth full year of the new 9 See Shakespeare's Globe Rebuilt ; Andrew Gurr , with John Orrell , Rebuilding ...
... seasons . Including the previous Prologue Season's production of The Two Gentlemen of Verona and up until the 2000 season , the fourth full year of the new 9 See Shakespeare's Globe Rebuilt ; Andrew Gurr , with John Orrell , Rebuilding ...
Стр. 6
... Season ' a more accurate description might have been ' The Anti - Authenticity Season ' . This is not meant to be flippant ; the design for the first production of the year , King Lear , boarded over the inside of the building - a ...
... Season ' a more accurate description might have been ' The Anti - Authenticity Season ' . This is not meant to be flippant ; the design for the first production of the year , King Lear , boarded over the inside of the building - a ...
Стр. 221
... season can be understood as pivotal within the new Globe's production history ( for this book , 1996-2004 ) . To some degree , the Celtic Season can be read as a two - fingered gesture to the parental figure of those academics seeking ...
... season can be understood as pivotal within the new Globe's production history ( for this book , 1996-2004 ) . To some degree , the Celtic Season can be read as a two - fingered gesture to the parental figure of those academics seeking ...
Содержание
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Авторские права | |
Не показаны другие разделы: 20
Часто встречающиеся слова и выражения
academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Ссылки на эту книгу
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Ограниченный просмотр - 2007 |