The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - Всего страниц: 283 This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
Результаты поиска по книге
Результаты 1 – 3 из 78
Стр. 6
... production , an overtly symbolic Macbeth , was even more daring in that all of the actors wore tuxedos and spoke parts of the verse to a jazz soundtrack . The third production , Cymbeline , was played by six actors in cream silks ...
... production , an overtly symbolic Macbeth , was even more daring in that all of the actors wore tuxedos and spoke parts of the verse to a jazz soundtrack . The third production , Cymbeline , was played by six actors in cream silks ...
Стр. 220
... productions of anti - authenticity , Macbeth and Cymbeline , should be so resolutely disinterested in the political debates their texts have tended to provoke ? My first answer is that there is no reason why a production at the new ...
... productions of anti - authenticity , Macbeth and Cymbeline , should be so resolutely disinterested in the political debates their texts have tended to provoke ? My first answer is that there is no reason why a production at the new ...
Стр. 226
... production of Richard III , an ' all female production exploring clothing , music , dance and settings possible in the original Globe of 1603. ' - The further irony of the theatre reviewers labelling the 2002 production of Twelfth Night ...
... production of Richard III , an ' all female production exploring clothing , music , dance and settings possible in the original Globe of 1603. ' - The further irony of the theatre reviewers labelling the 2002 production of Twelfth Night ...
Содержание
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Авторские права | |
Не показаны другие разделы: 20
Часто встречающиеся слова и выражения
academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Ссылки на эту книгу
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Ограниченный просмотр - 2007 |