The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - Всего страниц: 283 This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
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Стр. 7
... material by way of whalebone or other material rods , enforced an extremely straight posture , and the downward point of the stomacher , located somewhere near the groin , necessitated restrained movement , perhaps for fear of injury ...
... material by way of whalebone or other material rods , enforced an extremely straight posture , and the downward point of the stomacher , located somewhere near the groin , necessitated restrained movement , perhaps for fear of injury ...
Стр. 154
... material circumstances of ' radical contingency ' . Likewise , Susan Bennett decides that the Kathakali King Lear provides ' an informative example of experimentation with " tradition " at the expense of the material histories of its ...
... material circumstances of ' radical contingency ' . Likewise , Susan Bennett decides that the Kathakali King Lear provides ' an informative example of experimentation with " tradition " at the expense of the material histories of its ...
Стр. 225
... material for the ( following ) 1998 season . He describes the relationship between ' Shakespeare and his fellows ' with their community as ' the most important aspect of original performance ... rediscovered at Shakespeare's Globe ...
... material for the ( following ) 1998 season . He describes the relationship between ' Shakespeare and his fellows ' with their community as ' the most important aspect of original performance ... rediscovered at Shakespeare's Globe ...
Содержание
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Авторские права | |
Не показаны другие разделы: 20
Часто встречающиеся слова и выражения
academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Ссылки на эту книгу
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Ограниченный просмотр - 2007 |