John Barrymore, Shakespearean ActorCambridge University Press, 1997 - Всего страниц: 398 John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the twentieth century. "This young artist, profiting by the lessons of tradition...casts it boldly aside and emerges into the rarefied atmosphere of a new art, greater because it is new, stronger because it is built upon an old foundation." Brooklyn Times, March 9, 1920 |
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Стр. ii
... Early Blackface Minstrels and Their World 7. Rosemarie K. Bank , Theatre Culture in America , 1825-1860 6. Mark Fearnow , The American Stage and the Great Depression 5. Susan Harris Smith , American Drama : The Bastard Art 4. Jared ...
... Early Blackface Minstrels and Their World 7. Rosemarie K. Bank , Theatre Culture in America , 1825-1860 6. Mark Fearnow , The American Stage and the Great Depression 5. Susan Harris Smith , American Drama : The Bastard Art 4. Jared ...
Стр. xi
... early collaborations with Arthur Hopkins and Robert Edmond Jones , pioneering American practitioners of the New Stagecraft . The second and third chapters examine in detail the 1920 Barrymore- Hopkins - Jones Richard III and the 1922-4 ...
... early collaborations with Arthur Hopkins and Robert Edmond Jones , pioneering American practitioners of the New Stagecraft . The second and third chapters examine in detail the 1920 Barrymore- Hopkins - Jones Richard III and the 1922-4 ...
Стр. xv
... early drafts and offered valuable suggestions for improvement . Special thanks are due to Hollis Alpert , John C. Burnham , Anna Kay France , Michael Gnat , John Istel , Rosamund Krueger , Karl Levett , William Luce , Dana Sue McDermott ...
... early drafts and offered valuable suggestions for improvement . Special thanks are due to Hollis Alpert , John C. Burnham , Anna Kay France , Michael Gnat , John Istel , Rosamund Krueger , Karl Levett , William Luce , Dana Sue McDermott ...
Стр. 4
... early twentieth - century Shakespeare and pointed the way toward modern practice . Like all revolutions , of course , the upheaval in Shakespearean interpreta- tion led by Barrymore and his confreres was dependent upon a traditional ...
... early twentieth - century Shakespeare and pointed the way toward modern practice . Like all revolutions , of course , the upheaval in Shakespearean interpreta- tion led by Barrymore and his confreres was dependent upon a traditional ...
Стр. 5
... early 1910s ; and the unsettled state of Shakespearean acting and production in America during the first two decades of the twentieth century . Whenever possible , both here and in the chapters that follow , I have at- tempted to view ...
... early 1910s ; and the unsettled state of Shakespearean acting and production in America during the first two decades of the twentieth century . Whenever possible , both here and in the chapters that follow , I have at- tempted to view ...
Содержание
The Education of an Actor 18821919 | 32 |
The Productions | 67 |
Richard III 1920 | 69 |
Hamlet 19221924 | 122 |
The London Hamlet 1925 | 242 |
Aftermath | 261 |
Shakespeare in Hollywood 19251942 | 263 |
Epilogue | 299 |
Appendixes | 307 |
The Casts | 309 |
The Texts | 323 |
Notes | 331 |
385 | |
393 | |
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Часто встречающиеся слова и выражения
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Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s ... Arthur Gewirtz,James Kolb Недоступно для просмотра - 2004 |
Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s ... Arthur Gewirtz,James Kolb Просмотр фрагмента - 2004 |