John Barrymore, Shakespearean ActorCambridge University Press, 1997 - Всего страниц: 398 John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the twentieth century. "This young artist, profiting by the lessons of tradition...casts it boldly aside and emerges into the rarefied atmosphere of a new art, greater because it is new, stronger because it is built upon an old foundation." Brooklyn Times, March 9, 1920 |
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Стр. viii
... Richard Mansfield as Richard III 4. Johnston Forbes - Robertson as Hamlet 5. E. H. Sothern as Hamlet 8 9 10 11 21 6. Robert B. Mantell as Richard III 7. Walter Hampden as Hamlet 9. Maurice Barrymore as Orlando 10. John Drew as Petruchio ...
... Richard Mansfield as Richard III 4. Johnston Forbes - Robertson as Hamlet 5. E. H. Sothern as Hamlet 8 9 10 11 21 6. Robert B. Mantell as Richard III 7. Walter Hampden as Hamlet 9. Maurice Barrymore as Orlando 10. John Drew as Petruchio ...
Стр. ix
... Richard III in the 1929 Warner Brothers film The Show of Shows 269 44. An MGM publicity photo of Barrymore as Mercutio in Romeo and Juliet , 1936 45. Barrymore broadcasting his " Streamlined Shakespeare " radio series for NBC , 1937 46 ...
... Richard III in the 1929 Warner Brothers film The Show of Shows 269 44. An MGM publicity photo of Barrymore as Mercutio in Romeo and Juliet , 1936 45. Barrymore broadcasting his " Streamlined Shakespeare " radio series for NBC , 1937 46 ...
Стр. x
... Richard III and Hamlet are generally acknowledged to be two of the most significant Shakespearean events in the history of the modern stage , yet surprisingly little effort has been made to situate his distinctive contributions to the ...
... Richard III and Hamlet are generally acknowledged to be two of the most significant Shakespearean events in the history of the modern stage , yet surprisingly little effort has been made to situate his distinctive contributions to the ...
Стр. xi
... Richard III and the 1922-4 Hamlet . Both chapters include documentation of the preparation for these productions , performance re- constructions based on promptbooks , reviews , memoirs , and other evidence , and an analysis of the ...
... Richard III and the 1922-4 Hamlet . Both chapters include documentation of the preparation for these productions , performance re- constructions based on promptbooks , reviews , memoirs , and other evidence , and an analysis of the ...
Стр. xii
... Richard III , Macbeth , Othello , The Merchant of Venice , King Lear . At times , of course , these were joined by Romeo and Juliet , Julius Caesar , Coriolanus , Richard II , Henry V , and one or two more . The latter grouping ...
... Richard III , Macbeth , Othello , The Merchant of Venice , King Lear . At times , of course , these were joined by Romeo and Juliet , Julius Caesar , Coriolanus , Richard II , Henry V , and one or two more . The latter grouping ...
Содержание
The Education of an Actor 18821919 | 32 |
The Productions | 67 |
Richard III 1920 | 69 |
Hamlet 19221924 | 122 |
The London Hamlet 1925 | 242 |
Aftermath | 261 |
Shakespeare in Hollywood 19251942 | 263 |
Epilogue | 299 |
Appendixes | 307 |
The Casts | 309 |
The Texts | 323 |
Notes | 331 |
385 | |
393 | |
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Часто встречающиеся слова и выражения
17 November acting actor Adams Alexander Woollcott American appeared April Arthur Hopkins artistic audience Barry Barrymore's Barrymore's performance Blanche Yurka Broadway cast chair character Clown comedy costumes critics debut decade December drama Edwin Booth exit Fay Compton February film Forbes-Robertson Fowler Gene Fowler Ghost Guildenstern Hamlet Hampden Henry Hollywood Hopkins's Horatio house curtain Irving January John Barrymore Jones's King Laertes left center letter to Michael lights Lincoln Center lines London lord Macbeth mainstage mance Marcellus March Margaret Carrington Michael Strange noted Ophelia Osric platform play Player Polonius production promptbook Queen radio rehearsals repertory replies revival Richard Richard III right center Robert Edmond Jones role Rosencrantz scene second season Shakespeare Shakespearean Sheldon soliloquy Soon afterward Sothern and Marlowe speak speech steps Studybook Sweet Prince Taylor tells Theatre Collection theatrical throne tion tour tradition turns UCB/SC upstage voice weeks William Woollcott wrote York
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Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s ... Arthur Gewirtz,James Kolb Просмотр фрагмента - 2004 |