Wordsworth's Art of AllusionPennsylvania State University Press, 1988 - Всего страниц: 262 Wordsworth's poetry incorporated the English poetic tradition to a greater degree and in more ways than that of any poet before him. This book explores the range and uses of quotations, echoes, and allusions drawn from some 1,300 intertextual instances that the author has recognized in his work. The principal interest of the echoes examined here lies in the revaluation of the poet and the theoretical issues his varied use of them suggests. Through echoing, Wordsworth embodies and explicates his assertions of continuity in human development, his vision of interchange between the mind and nature, and his intention to revitalize English poetry by at once mediating and revolutionizing the tradition. Further, through echoic devices he accomplishes his three main poetic goals--the normative one of bringing poetry back in touch with oral discourse, the Miltonic one of giving it a prophetic role, and the peculiarly Wordsworthian one of substantiating his ideas about the relation between subject and object. This book will be of value to Wordsworth scholars for the actual borrowings it records and for the enriched understanding of the poet its original approach offers. Further, it possesses a truly wide-based cultural interest, not only in its general theory of echoing as a process central to discourse but specifically in such matters as the turn to native tradition vs. classic tradition, the difference between weak emulation and fierce wrestling with precursors, and, above all, the extraordinary classification of allusions. The categories are helpful fare beyond the Wordsworth subject matter that gave rise to their perception. Important also is the major theoretical challenge posed by this work to the intensely focused influence study of Harold Bloom. |
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... strong model for Wordsworth . It led the Romantic to discover his own poetic method of healing discontinuities : elaborating the “ trick of memory ” into a myth of psychosocial development and informing this myth with a new view of ...
... strong past voices . This is the main method of the Age of Sensibility ideally under- stood . But the eclectic mode of imitation did not often work out well in practice . The better talents among the poets of the Johnsonian era did ...
... strong poet has to breach the levels of style in a way that accomplishes three things at once : the manner he develops must an- swer to the spirit of the times and so enable him to “ [ create ] the taste by which he is to be enjoyed ...
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Using the Tradition | 19 |
Echo as Genesis and Mediation | 42 |
Wordsworth and the Renaissance Heritage | 83 |
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