Wordsworth's Art of AllusionPennsylvania State University Press, 1988 - Всего страниц: 262 Wordsworth's poetry incorporated the English poetic tradition to a greater degree and in more ways than that of any poet before him. This book explores the range and uses of quotations, echoes, and allusions drawn from some 1,300 intertextual instances that the author has recognized in his work. The principal interest of the echoes examined here lies in the revaluation of the poet and the theoretical issues his varied use of them suggests. Through echoing, Wordsworth embodies and explicates his assertions of continuity in human development, his vision of interchange between the mind and nature, and his intention to revitalize English poetry by at once mediating and revolutionizing the tradition. Further, through echoic devices he accomplishes his three main poetic goals--the normative one of bringing poetry back in touch with oral discourse, the Miltonic one of giving it a prophetic role, and the peculiarly Wordsworthian one of substantiating his ideas about the relation between subject and object. This book will be of value to Wordsworth scholars for the actual borrowings it records and for the enriched understanding of the poet its original approach offers. Further, it possesses a truly wide-based cultural interest, not only in its general theory of echoing as a process central to discourse but specifically in such matters as the turn to native tradition vs. classic tradition, the difference between weak emulation and fierce wrestling with precursors, and, above all, the extraordinary classification of allusions. The categories are helpful fare beyond the Wordsworth subject matter that gave rise to their perception. Important also is the major theoretical challenge posed by this work to the intensely focused influence study of Harold Bloom. |
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... close echoes that do not set up an interplay of contexts dominate the imitating text . Greene cites as an example Petrarch's close imitation of Cicero's De re publica in Books I and II of Africa , where the dream of Scipio is given ( 38 ) ...
... close acquaintance with Sarpedon's speech to Glaucus in Book XII of the Iliad ( lines 371– 96 in Pope's translation ) . The rhetorical structure is kept intact : Why are we heroes so great in pomp and power , Sarpedon asks , unless it ...
... close upon our ears , Black drizzling crags that spake by the way - side As if a voice were in them , the sick sight And giddy prospect of the raving stream . . ( Prelude VI.556-65 ) The bright and plastic has become dark and bewildered ...
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Using the Tradition | 19 |
Echo as Genesis and Mediation | 42 |
Wordsworth and the Renaissance Heritage | 83 |
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