He cannot curb his baughty mood, Nor I forgive a father's blood. XVI. « Within thy father's house are foes; Not all who break his bread are true : His days, his very hours were few : This tale, whose close is almost nigh: And held that post in his Serai Which holds he here — he saw him die : But what could single slavery do ? Avenge his lord ? alas ! too late ; Or save his son from such a fate ? He chose the last, and when elate With foes subdued, or friends betray'd, Proud Giatfir in high triumph sate, He ledd me helpless to his gate, And not in vain it seems essay'd To save the life for which he pray'd. The knowledge of my birth secured From all and each, but most from me ; Thus Giaffir's safety was ensured. Removed he too from Roumelie With none but Haroun, who retains Such knowledge and that Nubian feels A tyrant's secrets are but chains, Though oft - Oh, Mahomet ! how oft!- Beneath inaction's sluggish yoke, My thraldom for a season broke, On promise to return before The day when Giaffir's charge was o'er. 'Tis vain — my tongue can not impart My almost drunkenness of heart, When first this liberated eye Survey'd Earth, Ocean, Sun, and Sky, As if my spirit pierced them through, And all their inmost wonders knew ! One word alone can paint to thee That more than feeling - I was Free ! E'en for thy presence ceased to pine ; The World — nay, Heaven itself was mine! XIX. Convey'd me from this idle shore; But when and where I join'd the crew, With whom I'm pledg'd to rise or fall, When all that we design to do. XX. But rough in form, nor mild in mood ; Distinguish'd from the vulgar rank, The wisdom of the cautious Frank And some to higher thoughts aspire, The last of Lambro's ? patriots there Anticipated freedom share; XVII. “All this, Zuleika, harshly sounds ; But harsher still my tale must be : Howe'er my tongue thy softness wounds, Yet I must prove all truth to thee. I saw thee start this garb to see, Yet is it one I oft have worn, And long must wear: this Galiongée, To whom thy plighted vow is sworn, Is leader of those pirate hordes, Whose laws and lives are on their swords ; To hear whose desolating tale Would make thy waning cheek more pale : Those arms thou see'st my band have brought, The hands that wield are not remote; This cup too for the rugged knaves Is fill'd - once quaff'd, they ne'er repine : Our prophet might forgive the slaves ; They're only infidels in wine. XVIII. " What could I be ? Proscribed at home, And taunted to a wish to roam ; And listless left for Giaffir's fear Denied the courser and the spear The Turkish notions of almost all islands are confined to the Archipelago, the sea alluded to. ? Lambro Canzani, a Greek, famous for his efforts in 1789, for the independence of his country. Abandoned by the Russians, he became a pirate, and the Archipelago was the scene of his enterprises. He is said to be still alive at Peters. burg. He and Riga ure the two most celebrated of the Greek revolutionists. 3." Rayahs," – all who pay the capitation tax, called the " Haratch." I like the rest must use my skill or strength, Or 6 So let them case their hearts with prate have a love for freedom too. The first of royages is one of the few with which the Mussulmans profess much acquaintance. 2 The wandering life of the Arabs, Tartars, and Turkomans, will be found well detailed in any book of Eastern travels. That it possesses a charm peculiar to itself, cannot be denied. A young French renegado confessed to Chateaubriand, that he never found himself alone, galloping in the desert, without a sensation approaching to rapture, which was indescribable. 3 [The longest, as well as most splendid, of those passages, with which the perusal of his own strains, during revision, inspired him, was that rich flow of eloquent feeling which follows the couplet, —." Thou, my Zuleika, share and bless my bark,” &c.-a strain of poetry, which, for energy and tenderness of thought, for music of versification, and select. ness of dicti has, throughout the greater portion of it, but few rivals in either ancient or modern song. - MOORE.) • (Originally written thus " And tints to-morrow with {amarieyed }ray." The following note being annexed : _"Mr. Murray, choose which of the two epithets, 'fancied,' or .airy,' may be hest ; or is neither will do, tell me, and I will dream another." In a subsequent letter, he says : -" Instead of * And tints to-morrow with a fancied ray, Print " And tints to-morrow with prophetic ray; " And gilds to-morrow's hope with heavenly ray. I wish you would ask Mr. Gifford which of them is best ; or rather, not worst."] 5" Jannat al Aden," the perpetual atode, the Mussulman paradise. (" You wanted some reflections ; and I send you, per Selim, eighteen lines in decent couplets, of a pensive, if not an ethical, tendency. One more revise-positively the last, if decently done at any rate, the penultimate. Mr. Can. ping's approbation, I need not say, makes me proud.. To make you some amends for eternally pestering you with alterations, I send you Cobbett, - to confirm your orthodoxy." Lord B. !o Mr. Jurray.] ? [“ Then if my lip once murmurs, it must be." - - MS.) • [Mr. Canning's note was as follows:-"I received the books, and among them, the • Bride of Abrdos.' It is very, very beautiful. Lord Byron (when I met him, one day, at a dinner at Mr. Ward's) was so kind as to promise to give me a copy of it. I mention this, not to sare my purchase, but because I should be really flattered i; the present."] I form the plan, decrce the spoil, Perchance, his life who gave thee thine, With me, this hour away — away! But yet, though thou art plighted mine, Would'st thou recall thy willing vow, Appail'd by truths imparted now, Here rest I-not to see thee wed : But be that peril on my head !” XXIV. Already at his feet hath sunk A gasping head, a quivering trunk : And almost met the meeting wave : Oh! are they yet in time to save ? Ilis feet the foremost breakers lave; His bard are plunging in the bay, Their sabres glitter through the spray; Wet wild unwearied to the strand They struggle - now they touch the land ! They come - 't is but to add to slaughter Ilis heart's best blood is on the water. XXII. brother!" XXV. For her his eye but sought in vain ? Hath doom'd his death, or fix'd his chain. Sad proof, in peril and in pain, How late will Lover's hope reinain ! His back was to the dashing spray ; Behind, but close, his comrades lay, When, at the instant, hiss'd the ball “So may the foes of Giaffir fall !” Whose voice is heard ? whose carbine rang ? Whose bullet through the night-air sang, Too nearly, deadly aim'd to ert ? Tis thine — Abdallah's Murderer! The father slowly rued thy hate, The son hath found a quicker fate : Fast from his breast the blood is bubbling, The whiteness of the sca-foam troubling If aught his lips essay'd to groan, The rushing billows choked the tone ! XXIII. But yet my band not far from shore No matter — yet one effort more.” His pistol's echo rang on high, Zuleika started not, nor wept, Despair benumb'd her breast and eye!* They hear me not, or if they ply Their oars, 't is but to see me die ; That sound hath drawn my foes morc nigh. Then forth my father's scimitar, Thou ne'er hast seen less equal war ! Farewell, Zuleika!- Sweet ! retire : Yet stay within - here linger safe, At thee his rage will only chafe. XXVI. Few trophies of the fight are there : The shouts that shook the midnight-bay Are silent; but some signs of fray That strand of strife may bear, And fragments of each shiver'd brand ; Steps stampd; and dash'd into the sand The print of many a struggling band May there be mark'd ; nor far remote A broken torch, an oarless boat; And tangled on the weeds that heap The beach where shelving to the deep There lies a white capote ! 'Tis rent in twain - one dark-red stain The wave yet ripples o'er in vain : But where is he who wore ? Go, seek them where the surges sweep And cast on Lemnos' sliore : Then levellid with the wave I - Within a living grave ? And mournd above his turban-stone, That heart hath burst - that cye was closed Yea - closed before his own! XXVII. Thy destined lord is come too late : Can he not hear Thy handmaids weeping at the gate, The silent slaves with folded arms that wait, Tell him thy tale ! Thy heart grew chill : Sufficed to kill, Peace to thy broken heart, and virgin grave ! first ! Thrice happy! ne'er to feel nor fear the force Of absence, shame, pride, hate, revenge, remorse ! And, oh! that pang where more than madness lies! The worm that will not sleep — and never dies; 'Thought of the gloomy day and ghastly night, That dreads the darkness, and yet loathes the light, That winds around, and tears the quivering heart ! Ah! wherefore not consume it — and depart ! Woe to thee, rash and unrelenting chief ! Vainly thou heap'st the dust upon thy head, Vainly the sackcloth o'er thy limbs dost spread; By that same hand Abdallah – Selim bled. XXVIII. That shine beneath, while dark above And withers not, though branch and leaf Are stamp'd with an eternal grief, Like early unrequited Love, Ev’n in that deadly grove - Its lonely lustre, meek and pale : It looks as planted by Despair So white — so faint — the slightest gale Might whirl the leaves on high; And yet, though storms and blight assail, And hands more rude than wintry sky May wring it from the stem - in vain To-morrow sees it bloom again ! The stalk some spirit gently rears, And waters with celestial tears ; For well may maids of Helle deem Nor woos the summer beam : A bird unseen — but not remote : His long entrancing note ! Though mournful, pours not such a strain : As if they loved in vain ! That melancholy spell, He sings so wild and well ! !" While the Salsette lay off the Dardanelles, Lord Byron saw the body of a man who had been executed by being cast into the sea, floating on the stream to and fro with the trem. bling of the water, which gave to its arms the etfect of scaring away sereral sea-fowl that were horering to devour. This incident has been strikingly depicted." – Galt.) ? A turban is carved in stone above the graves of men only. 3 The death-song of the Turkish women. The “ silent slaves" are the men, whose notions of decorum forbid complaint in public. 4" I came to the place of my birth, and cried, • The friends of my youth, where are they?' and an Echo answered, • Where are they?'"- From an Arabic MS. The above quotation (from which the idea in the text is taken must be already familiar to every reader : it is given in the first an. notation, p. 67., of " The Pleasures of Memory;" a poem so well known as to render a reference almost superfluous; but to whose pages all will be delighted to recur. Yet harsh be they that blame,) Into Zuleika's name. ? For there, as Helle's legends tell, And there by night, reclined, 't is said, Hath flourished ; flourisheth this hour, The Corsair, A TALE.4 I suoi pensieri in lui dormir non ponno." Tasso, Gerusalemine Liberata, canto x. 3 TO THOMAS MOORE, ESQ. only regret, since our first acquaintance, has been the years he had lost before it commenced, to add MY DEAR Moore, the humble but sincere suffrage of friendship, to the I DEDICATE to you the last production with which voice of more than one nation. It will at least I shall trespass on public patience, and your indul. prove to you, that I have neither forgotten the gence, for some years; and I own that I feel anxious gratification derived from your society, nor abanto avail myself of this latest and only opportunity doned the prospect of its renewal, whenever your of adorning my pages with a name, consecrated by leisure or inclination allows you to atone to your unshaken public principle, and the most undoubted friends for too long an absence. It is said among and various talents. While Ireland ranks you among those friends, I trust truly, that you are engaged in the firmest of her patriots; while you stand alone the composition of a poem whose scene will be laid the first of her bards in her estimation, and Britain in the East; none can do those scenes so much jus. repeats and ratifies the decree, permit one, whose tice. The wrongs of your own country 5, the mag 1 * And airy tongues that syllable men's names."-Milton. [“ The Bride,' such as it is, is my first entire composiFor a belief that the souls of the dead inhabit the form of tion of any length (except the Satire, and be dd to it), for birds, we need not travel to the East. Lord Lyttleton's ghost the 'Giaour' is but a string of passages, and Childe Harold' story, the belief of the Duchess of Kendal, that George I. flew is, and I rather think always will be, unconcluded. It was into her window in the shape of a raven (see Orford's Remi published on Thursday, the 2d of December ; but how it is niscences), and many other instances, bring this superstition liked, I know not. Whether it succeeds or not, is no fault of Dearer home. The most singular was the whim of a Wor. the public, against whom I can have no complaint. But I am cester lady, who, believing her daughter to exist in the shape much more indebted to the tale than I can ever be to the of a singing bird, literally furnished her pew in the cathedral most important reader; as it wrung my thoughts from reality with ciges full of the kind; and as she was rich, and a bene to imagination ; from selfish regrets to vivid recollections ; factress in beautifying the church, no objection was made to and recalled me to a country replete with the brightest and her harmless folly. For this anecdote, see Orford's Letters. darkest, but always most lively colours of my memory." — Byron Diary, Dec. 5. 1813.) ? [The heroine of this poem, the blooming Zuleika, is all purity and loveliness. * (" The Corsair" was begun on the 18th, and finished on Never was a faultless character more the 31st, of December, 1813; a rapidity of composition which, delicately or more justly delineated. Her piety, her intelli. taking into consideration the extraordinary beauty of the gence, her strict sense of duty, and her undeviating love of poem, is, perhaps, unparalleled in the literary history of the truth, appear to have been originally blended in her mind, rather than inculcated by education. She is always natural, country. Lord Byron states it to have been written “con amore, and very much from eristence." In the original MS. always attractive, always affectionate ; and it must be ad. the chief female character was called Francesca, in whose Initted that her affections are not unworthily bestowed. Selim, while an orphan and dependant, is never" degraded by cala person the author meant to delineate one of his acquaintance; but, while the work was at press, he changed the name to mity; when better hopes are presented to him, his buoyant spirit rises with his expectations : he is enterprising, with no Medora.] more rashness than becomes his youth ; and when disap- (This political allusion having been objected to by a pointed in the success of a well-concerted project, he meets, friend, Lord Byron sent a second dedication to Mr. Moore, with intrepidity, the fate to which he is exposed through his with a request that he would “take his choice." It ran as I owo generous forbearance. To us, “ The Bride of Abydos" follows: appears to be, in every respect, superior to “ The Giaour," though, in point of diction, it has been, perhaps, less warmly “ MY DEAR MOORE, January 7th, 1814. adraired We will not argue this point, but will simply ob " I had written to you a long letter of dedication, serre, that what is read with ease is generally read with rapi. which I suppress, because, though it contained something dity; and that many beauties of style which escape observation relating to you, which every one had been glad to hear, yet in a simple and connected narrative, would be forced on the there was too much about politics, and poess, and all things reader's attention by abrupt and perplexing transitions. It whatsoever, ending with that topic on which most men are is only when a traveller is obliged to stop on his journey, that fuent, and none very amusing, - one's self. It might hare he is disposed to examine and admire the prospect.-GEORGE been re-writicn; but to what purpose? Jy praise could add ELLIS.) nothing to your well-earned and tirruly established fame; |