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THE BRIDAL OF TRIERMAIN:

Or,

THE VALE OF ST. JOHN.

A LOVER'S TALE.

THE BRIDAL OF TRIERMAIN.

I.

INTRODUCTION.

COME, LUCY! while 'tis morning hour, The woodland brook we needs must pass;

So, ere the sun assume his power, We shelter in our poplar bower, Where dew lies long upon the flower,

Though vanish'd from the velvet grass. Curbing the stream, this stony ridge May serve us for a silvan bridge;

For here, compell'd to disunite,

Round petty isles the runnels glide,
And chafing off their puny spite,
The shallow murmurers waste their
might,

Yielding to footstep free and light
A dry-shod pass from side to side.

II.

Nay, why this hesitating pause?
And, Lucy, as thy step withdraws,
Why sidelong eye the streamlet's brim?

Titania's foot without a slip,
Like thine, though timid, light, and slim,
From stone to stone might safely trip,
Nor risk the glow-worm clasp to dip
That binds her slipper's silken rim.
Or trust thy lover's strength: nor fear

That this same stalwart arm of mine, Which could yon oak's prone trunk up

rear,

Shall shrink beneath the burden dear

Of form so slender, light, and fine.So, now, the danger dared at last, Look back, and smile at perils past!

III.

And now we reach the favourite glade, Paled in by copsewood, cliff, and stone, Where never harsher sounds invade,

To break affection's whispering tone,

Than the deep breeze that waves the shade,

Than the small brooklet's feeble moan. Come! rest thee on thy wonted seat; Moss'd is the stone, the turf is green, A place where lovers best may meet

Who would not that their love be seen. The boughs, that dim the summer sky, Shall hide us from each lurking spy,

That fain would spread the invidious
tale,

How Lucy of the lofty eye,
Noble in birth, in fortunes high,
She for whom lords and barons sigh,
Meets her poor Arthur in the dale.

IV.

How deep that blush!-how deep that sigh!

And why does Lucy shun mine eye?
Is it because that crimson draws
Its colour from some secret cause,
Some hidden movement of the breast,
She would not that her Arthur guess'd?
O! quicker far is lovers' ken

Than the dull glance of common men,
And, by strange sympathy, can spell
The thoughts the loved one will not tell!
And mine, in Lucy's blush, saw met
The hues of pleasure and regret ;

Pride mingled in the sigh her voice, And shared with Love the crimson glow;

Well pleased that thou art Arthur s choice,

Yet shamed thine own is placed so

low:

Thou turn'st thy self-confessing cheek, As if to meet the breeze's cooling; Then, Lucy, hear thy tutor speak, For Love, too, has his hours of schooling.

V.

Too oft my anxious eye has spied
That secret grief thou fain wouldst hide,
The passing pang of humbled pride;
Too oft, when through the splendid
hall,

The load-star of each heart and eye,
My fair one leads the glittering ball,
Will her stol'n glance on Arthur fall,
With such a blush and such a sigh!
Thou wouldst not yield, for wealth or
rank,

The heart thy worth and beauty won,
Nor leave me on this mossy bank,

To meet a rival on a throne:
Why, then, should vain repinings rise,
That to thy lover fate denies
A nobler name, a wide domain,
A Baron's birth, a menial train,
Since Heaven assign'd him, for his part,
A lyre, a falchion, and a heart?

VI.

My sword-its master must be dumb;

But, when a soldier names my name,
Approach, my Lucy! fearless come,
Nordread to hear of Arthur's shame.
My heart-'mid all yon courtly crew,
Of lordly rank and lofty line,
Is there to love and honour true,

That boasts a pulse so warm as
mine?

They praised thy diamonds' lustre rare-
Match'd with thine eyes, I thought it
faded;

They praised the pearls that bound thy hair

I only saw the locks they braided;

They talk'd of wealthy dower and land,
And titles of high birth the token—
I thought of Lucy's heart and hand,
Nor knew the sense of what was
spoken.

And yet, if rank'd in Fortune's roll,
I might have learn'd their choice un-
wise,

Who rate the dower above the soul,
And Lucy's diamonds o'er her eyes.

VII.

My lyre-it is an idle toy,

That borrows accents not its own,
Like warbler of Colombian sky,

That sings but in a mimic tone."
Ne'er did it sound o'er sainted well,
Nor boasts it aught of Border spell;
Its strings no feudal slogan pour,
Its heroes draw no broad claymore;
No shouting clans applauses raise,
Because it sung their fathers' praise;
On Scottish moor, or English down,
It ne'er was graced with fair renown;
Nor won,- best meed to minstrel true,—
One favouring smile from fair Buc-

CLEUCH!

By one poor streamlet sounds its tone,
And heard by one dear maid alone.

VIII.

But, if thou bid'st, these tones shall tell
Of errant knight, and damozelle;
Of the dread knot a Wizard tied,
In punishment of maiden's pride,
In notes of marvel and of fear,
That best may charm romantic ear.

For Lucy loves,-like COLLINS, ill-starr'd name!
Whose lay's requital was that tardy fame,
Who bound no laurel round his living head,
Should hang it o'er his monument when dead,-
For Lucy loves to tread enchanted strand,
And thread, like him, the maze of Fairy land;
Of golden battlements to view the gleam,
And slumber soft by some Elysian stream;
Such lays she loves,—and, such my Lucy's choice,
What other song can claim her Poet's voice?

* The Mocking Bird.

THE BRIDAL OF TRIERMAIN.

CANTO FIRST.

I.

WHERE is the Maiden of mortal strain, That may match with the Baron of Triermain?

She must be lovely, and constant, and kind,

Holy and pure, and humble of mind, Blithe of cheer, and gentle of mood, Courteous, and generous, and noble of blood

Lovely as the sun's first ray,

When it breaks the clouds of an Aprilday;
Constant and true as the widow'd dove,
Kind as a minstrel that sings of love;
Pure as the fountain in rocky cave,
Where never sunbeam kiss'd the wave;
Humble as maiden that loves in vain,
Holy as hermit's vesper strain;
Gentle as breeze that but whispers and
dies,

Yet blithe as the light leaves that dance in its sighs;

Courteous as monarch the morn he is

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