The Contours of Masculine Desire: Romanticism and the Rise of Women's PoetryOxford University Press, 1989 - Всего страниц: 344 This is the first extended study of the role gender plays in the writing, reading, publishing, and reviewing of poetry in late 18th-century and early 19th-century Britain. Ross examines the ways in which Romanticism has been constructed, from the Romantic period to the present, as a masculine enterprise. He then traces the growth of a "feminine" poetic tradition from 1730 to 1830, showing the importance of this previously neglected tradition in the understanding of 19th-century British culture, and the development of current literary history, theory, and taste. |
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Стр. 136
... Mary is to Laon what Cythna is to Percy , and vice versa . Percy pictures Mary's liberation in terms very similar to the liberation of the oppressed women within the poem ( see Canto 9 , stanzas 9-19 ) , as we can see in The Revolt's ...
... Mary is to Laon what Cythna is to Percy , and vice versa . Percy pictures Mary's liberation in terms very similar to the liberation of the oppressed women within the poem ( see Canto 9 , stanzas 9-19 ) , as we can see in The Revolt's ...
Стр. 194
... Mary cherishes this day , according to Louisa Stuart : " never again , throughout her whole future life , did she pass so happy a day " ( 9 ) . Whether this event sparks Lady Mary's desire to make her presence felt in the wider world of ...
... Mary cherishes this day , according to Louisa Stuart : " never again , throughout her whole future life , did she pass so happy a day " ( 9 ) . Whether this event sparks Lady Mary's desire to make her presence felt in the wider world of ...
Стр. 195
... Mary's disobedient act , the kind of courage , however , that would also be required if she were to attempt literary production . Furthermore , in choosing her own desire over her father's command , Lady Mary is taking a calculated ...
... Mary's disobedient act , the kind of courage , however , that would also be required if she were to attempt literary production . Furthermore , in choosing her own desire over her father's command , Lady Mary is taking a calculated ...
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affection Alda anxiety attempt Augustan Baillie Barbauld beauty becomes begins bluestocking Byron Chorley claim Coleridge Coleridge's conquest critics crossdressing crucial culture death discourse domestic Dorothy Wordsworth dream Elmira emotion experience fame father feeling Felicia Hemans female poets feminine desire feminized Frankenstein gender genius heart Hemans Hemans's heroic human human bonds Ianthe individual influence Jewsbury Joanna Baillie Keats kind Lady Mary limits literary Maddalo male poets manly Mary Shelley Mary Tighe masculine desire Medon mind More's mother myth narrator nature nature's origin passion poem poet's poetess poetic poetry political Pope Pope's Popian Porphyro possess potential praise Prometheus Prometheus Unbound quest readers reality relation represents rivalry role romantic ideology romantic poet romanticism satire self-consciously self-possession sentiment shared desire Shelley Shelley's social soul sphere stanza Tasso Tighe tion tradition Tuckerman vision voice William Wordsworth woman women poets women writers words Wordsworth Wordsworthian write
Ссылки на эту книгу
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Ограниченный просмотр - 1996 |
Mothers of the Nation: Women's Political Writing in England, 1780–1830 Anne K. Mellor Ограниченный просмотр - 2000 |