The Contours of Masculine Desire: Romanticism and the Rise of Women's PoetryOxford University Press, 1989 - Всего страниц: 344 This is the first extended study of the role gender plays in the writing, reading, publishing, and reviewing of poetry in late 18th-century and early 19th-century Britain. Ross examines the ways in which Romanticism has been constructed, from the Romantic period to the present, as a masculine enterprise. He then traces the growth of a "feminine" poetic tradition from 1730 to 1830, showing the importance of this previously neglected tradition in the understanding of 19th-century British culture, and the development of current literary history, theory, and taste. |
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Стр. 94
... Coleridge's poem indicates how successful Wordsworth has been in coopting Coleridge's anticipated response . Wordsworth's voice has been so strong , his vision so totalizing , that Cole- ridge's poem becomes almost a parody of the epic ...
... Coleridge's poem indicates how successful Wordsworth has been in coopting Coleridge's anticipated response . Wordsworth's voice has been so strong , his vision so totalizing , that Cole- ridge's poem becomes almost a parody of the epic ...
Стр. 98
... Coleridge's Blessed Machine of Language , Jerome Christensen shows just how crucial this idea is to Cole- ridge's whole enterprise . Even though Christensen is here speaking specifi- cally of Coleridge's prose , his insightful argument ...
... Coleridge's Blessed Machine of Language , Jerome Christensen shows just how crucial this idea is to Cole- ridge's whole enterprise . Even though Christensen is here speaking specifi- cally of Coleridge's prose , his insightful argument ...
Стр. 102
... Coleridge returns the poet's image back to him , but , as mirroring tends to do , Coleridge's image transposes Wordsworth's . Coleridge moves inward the more he appears to move out , falling prey to Wordsworth's solipsism and to ...
... Coleridge returns the poet's image back to him , but , as mirroring tends to do , Coleridge's image transposes Wordsworth's . Coleridge moves inward the more he appears to move out , falling prey to Wordsworth's solipsism and to ...
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affection Alda anxiety attempt Augustan Baillie Barbauld beauty becomes begins bluestocking Byron Chorley claim Coleridge Coleridge's conquest critics crossdressing crucial culture death discourse domestic Dorothy Wordsworth dream Elmira emotion experience fame father feeling Felicia Hemans female poets feminine desire feminized Frankenstein gender genius heart Hemans Hemans's heroic human human bonds Ianthe individual influence Jewsbury Joanna Baillie Keats kind Lady Mary limits literary Maddalo male poets manly Mary Shelley Mary Tighe masculine desire Medon mind More's mother myth narrator nature nature's origin passion poem poet's poetess poetic poetry political Pope Pope's Popian Porphyro possess potential praise Prometheus Prometheus Unbound quest readers reality relation represents rivalry role romantic ideology romantic poet romanticism satire self-consciously self-possession sentiment shared desire Shelley Shelley's social soul sphere stanza Tasso Tighe tion tradition Tuckerman vision voice William Wordsworth woman women poets women writers words Wordsworth Wordsworthian write
Ссылки на эту книгу
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Ограниченный просмотр - 1996 |
Mothers of the Nation: Women's Political Writing in England, 1780–1830 Anne K. Mellor Ограниченный просмотр - 2000 |