Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
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... perhaps not coincidental that of the major Romantic poets Shelley and Coleridge appear to have been the most prodigious readers. The range of reference in their prose and poetry, encompassing diverse subject matter, indicates how fully ...
... perhaps not coincidental that of the major Romantic poets Shelley and Coleridge appear to have been the most prodigious readers. The range of reference in their prose and poetry, encompassing diverse subject matter, indicates how fully ...
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... perhaps surprising, given the attention paid in The Anxiety of Influence to poetry as a 'family romance', where the ephebe must struggle with and ultimately mortally wound his poetic 'father' in order to establish and maintain his own ...
... perhaps surprising, given the attention paid in The Anxiety of Influence to poetry as a 'family romance', where the ephebe must struggle with and ultimately mortally wound his poetic 'father' in order to establish and maintain his own ...
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... perhaps also illuminating paragraphs of The Anxiety of Influence: All criticisms that call themselves primary vacillate between tautology – in which the poem is and means itself – and reduction – in which the poem means something that ...
... perhaps also illuminating paragraphs of The Anxiety of Influence: All criticisms that call themselves primary vacillate between tautology – in which the poem is and means itself – and reduction – in which the poem means something that ...
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... perhaps elaborate as unoriginality, repetition or derivation, is here equated, at the level of language, with literalism. If poetry is an attempt to articulate ideas or experience in a new way, then the medium used, language, must ...
... perhaps elaborate as unoriginality, repetition or derivation, is here equated, at the level of language, with literalism. If poetry is an attempt to articulate ideas or experience in a new way, then the medium used, language, must ...
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... perhaps, as Richard Holmes has succinctly noted, 'one of the greatest strokes of ill-luck' that the only number of the trio that Shelley was to encounter then, or at any future date, was Robert Southey.2 Throughout his life, Shelley ...
... perhaps, as Richard Holmes has succinctly noted, 'one of the greatest strokes of ill-luck' that the only number of the trio that Shelley was to encounter then, or at any future date, was Robert Southey.2 Throughout his life, Shelley ...
Содержание
The presence of Coleridge | |
The Voices of Mont Blanc | |
The vitally metaphorical in This Lime | |
The Legacy of Coleridges Mariner | |
Afterword | |
Index | |
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Alastor albatross allusion Ancient Mariner Anxiety of Influence argues articulate attempt become Bodleian Coleridge Coleridge’s Hymn Coleridge’s poem conception context criticism curse Defence describe echo effect elder poet experience external Falsehood and Vice Famine fear figure Fraistat Furies gloss Harold Bloom Heaven human mind Hymn before Sun-rise imagery imaginative implies influence interpretation Jupiter Keswick Kubla Khan landscape language Letters lines literary London Lyrical Ballads Mariner’s Mary Shelley’s McEathron means metalepsis metaphor Michael O’Neill mind’s Mont Blanc movement natural world Notebook passage perceived perception Percy Bysshe Shelley perhaps poem’s poet’s poetic political potential precursor Prometheus Unbound volume Prometheus’s ravine recalls reflection Reiman relationship reveals Samuel Taylor Coleridge scene sea snake seems sense Shelley adds Shelley’s poem ship simile Slaughter snakes song Southey Southey’s spirits stanza suggests tempest thou thought tigers verse verse paragraph Vision voice Wasserman Whilst words Wordsworth