Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
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... experience of emotion as trope, and an expression of knowledge and emotion by a revisionary further troping'.18 The relation of different modes of figuration to poetic influence has been explored by John Hollander in his study of echo ...
... experience of emotion as trope, and an expression of knowledge and emotion by a revisionary further troping'.18 The relation of different modes of figuration to poetic influence has been explored by John Hollander in his study of echo ...
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... experience in a new way, then the medium used, language, must continually be reinvigorated through repeated efforts of figuration. Furthermore, we can argue that in the reanimation of an image from a previous poem, a poet may ...
... experience in a new way, then the medium used, language, must continually be reinvigorated through repeated efforts of figuration. Furthermore, we can argue that in the reanimation of an image from a previous poem, a poet may ...
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... experience, and in his subsequent isolation from all communities, a mode of apprehension which he realized must be overcome in order to achieve individual, social and political amelioration. By way of conclusion, I suggest that there is ...
... experience, and in his subsequent isolation from all communities, a mode of apprehension which he realized must be overcome in order to achieve individual, social and political amelioration. By way of conclusion, I suggest that there is ...
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Содержание
The presence of Coleridge | |
The Voices of Mont Blanc | |
The vitally metaphorical in This Lime | |
The Legacy of Coleridges Mariner | |
Afterword | |
Index | |
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Alastor albatross allusion Ancient Mariner Anxiety of Influence argues articulate attempt become Bodleian Coleridge Coleridge’s Hymn Coleridge’s poem conception context criticism curse Defence describe echo effect elder poet experience external Falsehood and Vice Famine fear figure Fraistat Furies gloss Harold Bloom Heaven human mind Hymn before Sun-rise imagery imaginative implies influence interpretation Jupiter Keswick Kubla Khan landscape language Letters lines literary London Lyrical Ballads Mariner’s Mary Shelley’s McEathron means metalepsis metaphor Michael O’Neill mind’s Mont Blanc movement natural world Notebook passage perceived perception Percy Bysshe Shelley perhaps poem’s poet’s poetic political potential precursor Prometheus Unbound volume Prometheus’s ravine recalls reflection Reiman relationship reveals Samuel Taylor Coleridge scene sea snake seems sense Shelley adds Shelley’s poem ship simile Slaughter snakes song Southey Southey’s spirits stanza suggests tempest thou thought tigers verse verse paragraph Vision voice Wasserman Whilst words Wordsworth