Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
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... become extremely loaded, with Bloom's work exerting its own aura of authority over subsequent criticism. In Bloom's ... becomes, in the mind of the ephebe, more analogous to the id, a primitive instinct of the unconscious mind which must ...
... become extremely loaded, with Bloom's work exerting its own aura of authority over subsequent criticism. In Bloom's ... becomes, in the mind of the ephebe, more analogous to the id, a primitive instinct of the unconscious mind which must ...
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... become internalized in the psyche of the new poet.7 Thus a potential weakness of Bloom's theory becomes, paradoxically, and perhaps tautologically, its strength; if his criticism is reductive, it is following an identical reductive ...
... become internalized in the psyche of the new poet.7 Thus a potential weakness of Bloom's theory becomes, paradoxically, and perhaps tautologically, its strength; if his criticism is reductive, it is following an identical reductive ...
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... becomes clear how much contemporary literary criticism is swept aside by Bloom's denial of all external contexts in the production of poetry. At the opposite end of the critical spectrum, the work of historicist critics such as Jerome ...
... becomes clear how much contemporary literary criticism is swept aside by Bloom's denial of all external contexts in the production of poetry. At the opposite end of the critical spectrum, the work of historicist critics such as Jerome ...
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... become in naturalized romantic mythology a trope of diachrony, of the distance between prior and successive poems'.19 Whilst, as Hollander points out, Echo is unable to originate discourse, merely to respond, there is a mythical ...
... become in naturalized romantic mythology a trope of diachrony, of the distance between prior and successive poems'.19 Whilst, as Hollander points out, Echo is unable to originate discourse, merely to respond, there is a mythical ...
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... become part of my way of saying, and in advancing the claims of a predecessor (and rotating them so that they catch a new light) the poet is advancing his own claims, his own poetry, and even poetry.26 Ricks's stance, like that of ...
... become part of my way of saying, and in advancing the claims of a predecessor (and rotating them so that they catch a new light) the poet is advancing his own claims, his own poetry, and even poetry.26 Ricks's stance, like that of ...
Содержание
The presence of Coleridge | |
The Voices of Mont Blanc | |
The vitally metaphorical in This Lime | |
The Legacy of Coleridges Mariner | |
Afterword | |
Index | |
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Часто встречающиеся слова и выражения
Alastor albatross allusion Ancient Mariner Anxiety of Influence argues articulate attempt become Bodleian Coleridge Coleridge’s Hymn Coleridge’s poem conception context criticism curse Defence describe echo effect elder poet experience external Falsehood and Vice Famine fear figure Fraistat Furies gloss Harold Bloom Heaven human mind Hymn before Sun-rise imagery imaginative implies influence interpretation Jupiter Keswick Kubla Khan landscape language Letters lines literary London Lyrical Ballads Mariner’s Mary Shelley’s McEathron means metalepsis metaphor Michael O’Neill mind’s Mont Blanc movement natural world Notebook passage perceived perception Percy Bysshe Shelley perhaps poem’s poet’s poetic political potential precursor Prometheus Unbound volume Prometheus’s ravine recalls reflection Reiman relationship reveals Samuel Taylor Coleridge scene sea snake seems sense Shelley adds Shelley’s poem ship simile Slaughter snakes song Southey Southey’s spirits stanza suggests tempest thou thought tigers verse verse paragraph Vision voice Wasserman Whilst words Wordsworth