Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
Результаты поиска по книге
Результаты 1 – 5 из 8
Стр.
... Southey, but none at all to Wordsworth or Coleridge. By 1811 Shelley was already a conscientious reader of Southey's works. His letters of late 1810 show an eager anticipation to receive the recently published The Curse of Kehama, and ...
... Southey, but none at all to Wordsworth or Coleridge. By 1811 Shelley was already a conscientious reader of Southey's works. His letters of late 1810 show an eager anticipation to receive the recently published The Curse of Kehama, and ...
Стр.
... Southey has changed. I shall see him soon, and I shall reproach him of [for] his tergiversation – He to whom Bigotry ... Southey's descent from the 'imitable' advocate of liberty and justice to the paid producer of government propaganda ...
... Southey has changed. I shall see him soon, and I shall reproach him of [for] his tergiversation – He to whom Bigotry ... Southey's descent from the 'imitable' advocate of liberty and justice to the paid producer of government propaganda ...
Стр.
... Southey's opinions without comment, and to mention his wish for a future perfected state as evidence that 'Southey is an advocate of liberty and equality'. When Shelley's comments on Southey become more personal, the same ambivalence ...
... Southey's opinions without comment, and to mention his wish for a future perfected state as evidence that 'Southey is an advocate of liberty and equality'. When Shelley's comments on Southey become more personal, the same ambivalence ...
Стр.
... Southey as revealed in his letters. Shelley appears to have been willing to embrace Southey's offer of guidance, and possessed a high enough regard for the poet and his opinion to send him a copy of his Alastor volume in 1816.11 However ...
... Southey as revealed in his letters. Shelley appears to have been willing to embrace Southey's offer of guidance, and possessed a high enough regard for the poet and his opinion to send him a copy of his Alastor volume in 1816.11 However ...
Стр.
... Southey's mind on 'the world' and 'Custom', and ends on a note of pity, returning in kind the same sort of condescension that Southey had displayed towards him, but a condescension that is perhaps intended to mask some of his genuine ...
... Southey's mind on 'the world' and 'Custom', and ends on a note of pity, returning in kind the same sort of condescension that Southey had displayed towards him, but a condescension that is perhaps intended to mask some of his genuine ...
Содержание
The presence of Coleridge | |
The Voices of Mont Blanc | |
The vitally metaphorical in This Lime | |
The Legacy of Coleridges Mariner | |
Afterword | |
Index | |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Alastor albatross allusion Ancient Mariner Anxiety of Influence argues articulate attempt become Bodleian Coleridge Coleridge’s Hymn Coleridge’s poem conception context criticism curse Defence describe echo effect elder poet experience external Falsehood and Vice Famine fear figure Fraistat Furies gloss Harold Bloom Heaven human mind Hymn before Sun-rise imagery imaginative implies influence interpretation Jupiter Keswick Kubla Khan landscape language Letters lines literary London Lyrical Ballads Mariner’s Mary Shelley’s McEathron means metalepsis metaphor Michael O’Neill mind’s Mont Blanc movement natural world Notebook passage perceived perception Percy Bysshe Shelley perhaps poem’s poet’s poetic political potential precursor Prometheus Unbound volume Prometheus’s ravine recalls reflection Reiman relationship reveals Samuel Taylor Coleridge scene sea snake seems sense Shelley adds Shelley’s poem ship simile Slaughter snakes song Southey Southey’s spirits stanza suggests tempest thou thought tigers verse verse paragraph Vision voice Wasserman Whilst words Wordsworth