Under FRAGMENTS are included, with a few exceptions, incomplete poems, sketches and cancelled passages, and those more inchoate passages which have been recovered from Shelley's notebooks. The exceptions are the Prologue to Hellas, which has been put with that drama, A Vision of the Sea, published by Shelley with the poems accompanying Prometheus Unbound, and five pieces, To Mary Wollstonecraft Godwin, 1814, Death, An Allegory, On the Medusa of Leonardo da Vinci, and Evening, Pisa, which, though lacking a word or a line, are in effect complete. The order of the FRAGMENTS is not strictly chronological in the first division, and is altogether arbitrary in the second. The dates assigned in the footnotes are those generally accepted, but, as a rule, they are conjectural and approximate only, not exact. The text is derived from the editions of Mrs. Shelley, the studies of Dr. Garnett in the Boscombe MSS., published by him mainly in Relics of Shelley, 1862, or by Rossetti, 1870, and Rossetti's own studies both in the same and other MSS. of which the results were given in his edition. A few pieces, originally published elsewhere, were also gathered by Rossetti and Forman in their editions, and Forman was enabled to add something more from independent MSS. The original publication of each piece is mentioned in the footnotes. THE DÆMON OF THE WORLD Nec tantum prodere vati, Quantum scire licet. Venit ætas omnis in unam I How wonderful is Death, Death and his brother Sleep! One, pale as yonder wan and horned moon, The other, glowing like the vital morn It breathes over the world; Yet both so passing strange and wonderful! Hath then the iron-sceptred Skeleton, The Damon of the World. Published with Alastor, 1816. On which the lightest heart might moralize? Have charmed their nurse, coy Silence, near her lids To watch their own repose? Will they, when morning's beam Flows through those wells of light, Seek far from noise and day some western cave, Where woods and streams with soft and pausing The dreamless sleep of death; With interchange of hues mock the broad moon, Without assured reward. Her dewy eyes are closed; On their translucent lids, whose texture fine Scarce hides the dark blue orbs that burn below With unapparent fire, The baby Sleep is pillowed; Her golden tresses shade The bosom's stainless pride, Twining like tendrils of the parasite Around a marble column. Hark! whence that rushing sound? |