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But weel do I like my young Geordie,
Although he was cunning and slee;
He ca's me his dear and his honey;
And I'm sure that my Geordie lo'es me.
The mucking o' Geordie's byre, &c.

The mouse is a merry beast,

And the moudiwort wants the een:
But the warld shall ne'er get wit
Sae merry as we ha'e been.

The mucking o' Geordie's byre,
And the shooling the gruip sae clean,
Has aft gart me spend the night sleepless,
And brought the saut tears in my een.]

Great Hercules, and Samson too,
Were stronger far than I or you :
Yet they were baffled by their dears,
And felt the distaff and the shears.
Sae bide ye yet, &c.

Stout gates of brass and well-built walls
Are proof 'gainst swords and cannon-balls;
But naught is found, by sea or land,
That can a wayward wife withstand.
Sae bide ye yet, and bide ye yet,
Ye little ken what 's to betide ye yet;
The half of that will gane ye yet,
Gif a wayward wife obtain ye yet.]

BIDE YE YET.

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Here the remarks by Burns on the first volume of the Musical Museum" There is a beautiful song to this tune, conclude. The second volume conbeginningtained the following preface from his hand :

"Alas! my son, you little know,"

"In the first volume of this work, two

which is the composition of Miss Jenny or three airs, not of Scots composition, Graham, of Dumfries.

[ALAS! my son, you little know

The sorrows that from wedlock flow;
Farewell to every day of ease,
When you have got a wife to please.

Sae bide ye yet, and bide ye yet,
Ye little ken what's to betide ye yet;
The half of that will gane ye yet,
Gif a wayward wife obtain ye yet.

Your hopes are high, your wisdom small,
Woe has not had you in its thrall;
The black cow on your foot ne'er trod,
Which gars you sing along the road.
Sae bide ye yet, &c.

Sometimes the rock, sometimes the reel,
Or some piece of the spinning-wheel,
She 'll drive at you, my bonnie chiel,
And send you headlang to the de'il.
Sae bide ye yet, &c.

When I, like you, was young and free,
I valued not the proudest she;
Like you, my boast was bold and vain,
That men alone were born to reign.

Sae bide ye yet, &c.

have been inadvertently inserted; which, whatever excellence they may have, was improper, as the collection is solely to be the music of our own country. The songs contained in this volume, both music and poetry, are all of them the work of Scotsmen. Wherever the old words could be recovered, they have been preferred; both as suiting better the genius of the tunes, and to preserve the productions of those earlier sons of the Scottish Muses, some of whose names deserved a better fate than has befallen them,'buried 'midst the wreck of things which were.' Of our more modern songs, the Editor has inserted the authors' names as far as he can ascertain them; and, as that was neglected in the first volume, it is annexed here. If he have made any mistakes in this affair, which he possibly may, he will be very grateful at being set right.

"Ignorance and prejudice may perhaps affect to sneer at the simplicity of the poetry or music of some of these poems; but their having been for ages the favourites of Nature's judges-the common people-was to the Editor a sufficient test of their merit.

"EDINBURGH, March 1, 1788."

He made sic haste, sae spurred his beast,
"T was little there he saw, man;
To Berwick rade, and falsely said,
The Scots were rebels a', man.
But let that end, for weel 't is kenned
His use and wont to lie, man;
The Teague is naught, he never fought,
When he had room to flee, man.]

TRANENT-MUIR.

"Tranent-Muir" was composed by a Mr. Skirving, a very worthy, respectable farmer near Haddington. I have heard the anecdote often, that Lieut. Smith, whom he mentions in the ninth stanza, came to Haddington after the publication of the song, and sent a challenge to Skirving to meet him at Haddington, and answer for the unworthy manner in which he had noticed him in his song. "Gang awa' back," said the honest farmer, "and tell Mr. Smith that I ha'e nae leisure to come to Haddington; but tell him to come here, and I'll tak' a look o' him, and if he think I'm fit to fecht him, I'll fecht him; and if no, I'll do as he did-I 'll rin awa'."

Stanza ninth, as well as tenth, to which the anecdote refers, shows that the anger of the Lieutenant was anything but unreasonable.

[AND Major Bowle, that worthy soul,

Was brought down to the ground, man; His horse being shot, it was his lot For to get mony a wound, man: Lieutenant Smith, of Irish birth,

Frae whom he called for aid, man, Being full of dread, lap o'er his head, And wadna be gainsaid, man!

POLWART, ON THE GREEN.

The author of "Polwart, on the Green," is Captain John Drummond M'Gregor, of the family of Bochaldie.

[AT Polwart, on the Green,

If you'll meet me the morn, Where lasses do convene

To dance about the thorn, A kindly welcome ye shall meet Frae her wha likes to view A lover and a lad completeThe lad and lover you.

Let dorty dames say na,

As lang as e'er they please, Seem caulder than the snaw, While inwardly they bleeze. But I will frankly shaw my mind,

And yield my heart to thee; Be ever to the captive kind

That langs na to be free.

At Polwart, on the Green,

Amang the new-mown hay, With sangs and dancing keen,

We'll pass the heartsome day. At night, if beds be o'er thrang laid, And thou be twined of thine, Thou shalt be welcome, my dear lad, To take a part of mine.]

STREPIION AND LYDIA.

The following account of this song I had from Dr. Blacklock :-The "Strephon and Lydia" mentioned in the song were perhaps the loveliest couple of their time. The gentleman was commonly known by the name of Beau Gibson. The lady was the "Gentle Jean," celebrated somewhere in Hamilton of Bangour's poems. Having frequently met at public places, they had formed a reciprocal attachment, which their friends thought dangerous, as their resources were by no means adequate to their tastes and habits of life. To elude the bad consequences of such a connection, Strephon was sent abroad with a commission, and perished in Admiral Vernon's expedition to Carthagena.

The author of the song was William Wallace, Esq., of Cairnhill, in Ayrshire.

[ALL lonely on the sultry beach
Expiring Strephon lay,

No hand the cordial draught to reach,
Nor cheer the gloomy way.
Ill-fated youth! no parent nigh,
To catch thy fleeting breath,
No bride to fix thy swimming eye,
Or smooth the face of death!

Far distant from the mournful scene,
Thy parents sit at ease,
Thy Lydia rifles all the plain,
And all the spring, to please.
Ill-fated youth! by fault of friend,
Not force of foe depressed,
Thou fall'st, alas! thyself, thy kind,
Thy country unredressed!]

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"But what, if dancing on the green,
An' skipping like a maukin,
If they should see my clouted sheen,
Of me they will be tauking."
"Dance aye laigh, and late at e'en,
Janet, Janet;
Syne a' their fauts will no be seen,
My jo, Janet."

"Kind sir, for your courtesie,

When ye gae to the Cross, then,
For the love ye bear to me,

Buy me a pacing horse, then."

"Pace upo' your spinning-wheel,

Janet, Janet;

Pace upo' your spinning-wheel,

My jo, Janet."]

LOVE IS THE CAUSE OF MY

MOURNING.

The words are by a Mr. R. Scott, from the town or neighbourhood of Biggar.

[By a murmuring stream a fair shepherdess lay: Be so kind, O ye nymphs! I oft heard her say, Tell Strephon I die, if he passes this way,

And love is the cause of my mourning. False shepherds that tell me of beauty and charms,

Deceive me, for Strephon's cold heart never

warms;

Yet bring me this Strephon, I'll die in his

arms;-

O Strephon! the cause of my mourning.

But first, said she, let me go

Down to the shades below,

Ere ye let Strephon know

That I have loved him so:

Then on my pale cheek no blushes will show That love is the cause of my mourning.

Her eyes were scarce closed, when Strephon came by,

He thought she'd been sleeping, and softly drew nigh;

But finding her breathless, "O heavens!" did

he cry,

"Ah, Chloris! the cause of my mourning. Restore me ray Chloris, ye nymphs use your art," They sighing replied, ""T was yourself shot the dart,

That wounded the tender young shepherdess' heart,

And killed the poor Chloris with mourning."

"Ah! then, is Chloris dead,
Wounded by me?" he said;

"I'll follow thee, chaste maid,
Down to the silent shade,"

Then on her cold snowy breast leaning his head,
Expired the poor Strephon with mourning.]

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FIFE, AND ALL THE LANDS ABOUT IT.

This song is Dr. Blacklock's. He, as well as I, often gave Johnson verses, trifling enough, perhaps, but they served as a vehicle to the music.

[ALLAN, by his grief excited,
Long the victim of despair,
Thus deplored his passion slighted,

Thus addressed the scornful fair:"Fife and all the lands about it,

Undesiring I can see ;

Joy may crown my days without it,-
Not, my charmer, without thee.

"Must I then for ever languish,

Still complaining, still endure?
Can her form create an anguish
Which her soul disdains to cure?
Why, by hopeless passion fated,
Must I still those eyes admire,
Whilst unheeded, unregretted,
In her presence I expire?

"Would thy charms improve their power? Timely think, relentless maid; Beauty is a short-lived flower,

Destined but to bloom and fade! Let that Heaven, whose kind impression All thy lovely features show, Melt thy soul to soft compassion For a suffering lover's woe."]

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WERE NA MY HEART LIGHT I WAD DIE.

Lord Hailes, in the notes to his collection of ancient Scottish poems, says that this song was the composition of Lady Grisel Baillie, daughter of the first Earl of Marchmont, and wife of George Baillie, of Jerviswood.

[THERE was ance a May, and she lo'ed na men.
She biggit her bonnie bower down in yon glen;
But now she cries dool! and a-well-a-day!
Come down the green gate, and come here away.

F F

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