Italy, Том 3J. Duncan, 1831 |
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adorned altar ancient ancient Rome antiquaries antiquity Apennines appears aqueduct arches architecture Augustus Aventine bas-reliefs Basilica Baths Baths of Titus beautiful building built Burton Cæsar called capital Capitol Caracalla cathedral century chapel church Circus Coelian Coliseum columns Constantine Corinthian Cramer cupola edifice Emperor entablature erected Esquiline Esquiline Hill Etruscan feet Florence Forsyth Forum fragments front Gothic ground Hadrian height hill Hobhouse inhabitants inscription Italy Lateran Lucca magnificent miles modern Monte monuments mosaic mountains Naples nave occupied original ornaments paintings palace Palatine Palatine hill Palazzo pavement Peter's Piazza pilasters pillars Pisa pontiff Pope Porta portico present Quirinal reign remains remarks road Roman Rome ruins sculpture seems seen Serchio side Siena Simond Sixtus stands statue summit supposed temple theatre Therma Tiber tion Titus tomb tower town Trajan Tuscan Umbria Vasi Vatican vault Via Reggio Villa Viminal Hill walls white marble whole
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Стр. 333 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Стр. 366 - The cupola is glorious. Viewed in its design, its altitude, or even its decoration ; viewed either as a whole or as a part, it enchants the eye, it satisfies the taste, it expands the soul. The very air seems to eat up all that is harsh or colossal, and leaves us nothing but the sublime to feast on : • — a sublime peculiar as the genius of the immortal architect, and comprehensible only on the spot.
Стр. 209 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Стр. 401 - THE MERCHANTS OF THESE THINGS, which were made rich by her, shall stand afar off for the fear of her torment, weeping and wailing, and saying, Alas, alas, that great city, that was clothed in fine linen, and purple, and scarlet, and decked with gold, and precious stones, and pearls ! For in one hour so great riches is come to nought.
Стр. 46 - The houses, though low on account of the earthquakes which frequently happen here, (as did one during my being in Italy), are very well built ; the piazza is very fair and commodious, and, with the church, whose four columns at the portico are of black marble polished, gave the first hint to the building both of the church and piazza in Covent Garden with us, though very imperfectly pursued.
Стр. 381 - Angelo left it an unfinished monument of his proud , towering , gigantic powers , and his awful genius watched over his successors , till at last a wretched plasterer came down from Como , to break the sacred unity of the master'idea , and him we must execrate for the Latin cross , the aisles , the attic , and the front.
Стр. 416 - ... whose gestures strike you with the commanding energy of a savage ; whose language, gaping and broad as it is, when kindled by passion, bursts into oriental metaphor ; whose ideas are cooped indeed within a narrow circle, but a circle in which they are invincible. If you attack them there, you are beaten. Their exertion of soul, their humour, their fancy, their quickness of argument, their address at flattery, their rapidity of utterance, their pantomime and grimace, none can resist but a lazarone...
Стр. 408 - The crowd of London is uniform and intelligible : it is a double line in quick motion ; it is the crowd of business. The crowd of Naples consists in a general tide rolling up and down, and, in the middle of this tide, of a hundred eddies of men.
Стр. 167 - Like Thebes, or Babylon, or Carthage, the name of Rome might have been erased from the earth, if the city had not been animated by a vital principle, which again restored her to honour and dominion.
Стр. 412 - Carlo the mind, as well as the man, is parted off from its fellows in an elbow-chair. There all is regulation and silence: no applause, no censure, no object worthy of- attention except the court and the fiddle. There the drama — but what is a drama in Naples without Punch? or what is Punch out of Naples? Here, in his native tongue, and among his own countrymen, Punch is a person of real power: he dresses up and retails all the drolleries of the day: he is the channel and sometimes the source of...